the sun's, to be followed by another rising, a renewed existence, though in another and unknown world. 6. All this is sheer poetry and mythology. But how great its beauty, how obvious its hopeful suggestiveness, if it could appeal to the groping minds of those primitive men, the old Mound-Builders, and there lay the seed of a faith which has been more and more clung to, as mankind progressed in spiritual culture! For all the noblest races have cherished and worked out the myth of the setting sun in the most manifold ways, as the symbol of the soul's immortality. The poets of ancient India, some three thousand years ago, made the Sun the leader and king of the dead, who, as they said, followed where he had gone first, "showing the way to many." The Egyptians, perhaps the wisest and most spiritual of all ancient nations, came to make this myth the keystone of their entire religion, and placed all their burying-places in the west, amidst or beyond the Libyan ridge of hills behind which the sun vanished from the eyes of those who dwelt in the valley of the Nile. The Greeks imagined a happy residence for their bravest and wisest, which they called the Islands of the Blest, and placed in the furthest West, amidst the waters of the ocean into which the sun descends for his nightly rest. 7. But the sun's course is twofold. If it is complete--beginning and ending--within the given number of hours which makes the day, it is repeated on a larger scale through the cycle of months which makes the year. The alternations of youth and age, triumph and decline, power and feebleness, are there represented and are regularly brought around by the different seasons. But the moral, the symbol, is still the same as regards final immortality. For if summer answers to the heyday of noon, autumn to the milder glow and the extinction of evening, and winter to the joyless dreariness of night, spring, like the morning, ever brings back the god, the hero, in the perfect splendor of a glorious resurrection. It was the solar-year myth with its magnificent accompaniment of astronomical pageantry, which took the greater hold on the fancy of the scientifically inclined Chaldeans, and which we find embodied with such admirable completeness in their great epic. We shall see, later on, more exclusively imaginative and poetical races showing a marked preference for the career of the sun as the hero of a day, and making the several incidents of the solar-day myth the subject of an infinite variety of stories, brilliant or pathetic, tender or heroic. But there is in nature another order of phenomena, intimately connected with and dependent on the phases of the sun, that is, the seasons, yet very different in their individual character, though pointing the same way as regards the suggestion of resurrection and immortality--the phenomena of the Earth and the Seed. These may in a more general way be described as Nature's productive power paralyzed during the numbed