significant title "kings of Shumir and Accad." Meanwhile new and higher moral influences have been at work; the Semitic immigration has quickened the half mythical, half astronomical religion with a more spiritual element--of fervent adoration, of prayerful trust, of passionate contrition and self-humiliation in the bitter consciousness of sin, hitherto foreign to it, and has produced a new and beautiful religious literature, which marks its third and last stage. To this stage belong the often mentioned "Penitential Psalms," Semitic, nay, rather Hebrew in spirit, although still written in the old Turanian language (but in the northern dialect of Accad, a fact that in itself bears witness to their comparative lateness and the locality in which they sprang up), and too strikingly identical with similar songs of the golden age of Hebrew poetry in substance and form, not to have been the models from which the latter, by a sort of unconscious heredity, drew its inspirations. Then comes the great Elamitic invasion, with its plundering of cities, desecration of temples and sanctuaries, followed probably by several more through a period of at least three hundred years. The last, that of Khudur Lagamar, since it brings prominently forward the founder of the Hebrew nation, deserves to be particularly mentioned by that nation's historians, and, inasmuch as it coincides with the reign of Amarpal, king of Tintir and father of Hammurabi, serves to establish an important landmark in the history both of the Jews and of Chaldea. When we reach this comparatively recent date the mists have in great part rolled aside, and as we turn from the ages we have just surveyed to those that still lie before us, history guides us with a bolder step and shows us the landscape in a twilight which, though still dim and sometimes misleading, is yet that of breaking day, not of descending night.