'Gone to do his hair'--the phrase came to his mind as he saw the priest
walk briskly away, tripping with the old familiar stumble over his
soutane, and saw the long wisps faintly red on the black garment. 'Like
a woman--exactly!' he uttered in revolt, clenching his hand at man's
degradation. 'Like a woman, long hair, long skirt; ready to listen to
other people's troubles. Unnatural existence; unnatural? it's unnatural
to the point of viciousness. No wonder the man's mind is unhinged.'
He was really troubled about his friend, the more so that loyalty would
keep him silent and allow him to ask no questions. He thought, however,
that if Eve volunteered any remarks about Paul it would not be disloyal
to listen. The afternoon was hot and still; Eve would be indoors. The
traditions of his English life still clung to him sufficiently to make
him chafe vaguely against the idleness of the days; he resented the
concession to the climate. A demoralising place. A place where priests
let their hair grow long, and went temporarily mad....
He walked in the patchy shade of the lemon-trees towards the house in a
distressed and irascible frame of mind. He longed for action; his mind
was never content to dwell long unoccupied. He longed for the strife
the elections would bring. The house glared very white, and all the
green shutters were closed; behind them, he knew, the windows would be
closed too. Another contradiction. In England, when one wanted to keep
a house cool, one opened the windows wide.
He crossed the veranda; the drawing-room was dim and empty. How absurd
to paint sham flames on the ceiling in a climate where the last thing
one wanted to remember was fire. He called,--
'Eve!'
Silence answered him. A book lying on the floor by the writing-table
showed him that she had been in the room; no one else in that house
would read Albert Samain. He picked it up and read disgustedly,--
'... Des roses! des roses encore!
Je les adore à la souffrance.
Elles ont la sombre attirance
Des choses qui donnent la mort.'
'Nauseating!' he cried, flinging the book from him.
Certainly the book was Eve's. Certainly she had been in the room,
for no one else would or could have drawn that mask of a faun on the
blotting paper. He looked at it carelessly, then with admiration; what
malicious humour she had put into those squinting eyes, that slanting
mouth! He turned the blotting paper idly--how like Eve to draw on the
blotting paper!--and came on other drawings: a demon, a fantastic
castle, a half-obliterated sketch of himself. Once he found his name,
in elaborate architectural lettering, repeated all over the page.
Then he found a letter of which the three first words: 'Eternal,
exasperating Eve!' and the last sentence, ' ... votre réveil qui doit
être charmant dans le désordre fantaisiste de votre chambre,' made him
shut the blotter in a scurry of discretion.
Public-domain text, read in full here on John Shaqi.
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