If he were a man and not an angel, with his red beard and gnarled fingers and shy ways, he might be an old-fashioned farmer who cared more for his land than for the price of corn, and who would allow no tractors or mechanical appliances on his place, still having faith in the firm hands of workmen, and the strength and canniness of horses. He is evidently embarrassed, and not quite at home, and it is easily seen that he is more accustomed to looking at the crack in a horse's frog, and tending sick ewes, and herding homeless dogs, than facing emotional tension such as seems to be present. He comes forward shyly, his brow wrinkled in an embarrassed smile. And the dog smiles back at him, opening a laughing mouth and wagging its tail. And the horse gives a little whinny. But the rest are silent. The elephant regarding him with a sort of kindly contempt, and the crocodile watching him with ophidian distrust. But the lion is warm with anger and the tiger dangerously cold with it. The great white bear is serious. The Angel of the Lord speaks. His voice is soft and his speech halting. And we have a sudden chill of horror as we recognize his accent as Irish. Not quite Southern Irish, and not distinguishably Northern Irish--neutral Irish. "Well, now, this is an unusual thing, an out-of-the-way thing, I might say.... I ... I hope I see you all well?" There is a rustle of the little creatures back of the deputation. And in the circle before the angel the dog is wagging his tail, and the horse throwing up his head. But silence. "I take it there is something on all your minds, so! Well, let you speak up, now, and let me hear what it is. It isn't the weather: that's elegant. And it can't be the crops. I was talking to the Angel of the Crops last night, and devil a better season has he seen since the night of the big wind." He gets no answer. "It's queer and shy you 've got all of a sudden. And why should you be shy with me? Sure there 's never anything come between us since I was put over you. And have n't I always been your friend? Let one of you speak up, now. How about yourself?" He turns to the lion. "The king of beasts, they call you. Let you be speaking, now, for the crowd." All around us now is the occult night of Egypt. Live sand and the little wind among the hillocks, and back of us the antique Nile. Here first was magic. And here first the half-gods were worshiped under the guise of beasts; of the cat and of the crocodile, and of others. And here is the monument of the half-god, the Sphinx, that is woman and animal, beauty and terror. And as we listen, the beasts speak, and to our human mechanics the deep vibrations are translated into human sounds, and the voice of the lion is as the voice of some great one of our race speaking in anger. And in the deep rumble we can hear thunder: