Ireland -- Social life and customs -- Fiction; Short stories, Irish
In no other country than Ireland, in no other city than Dublin could
such beauty and grace exist alone in an old house. They would have
fêted her, made merry with her, married her. A young beauty in an
ancient house with grizzled servants. But in Ireland a great beauty
has so many competitors for the songs of the poets, the passion of the
young men. There is the biting excitement of treason, politics charged
with lightning. There are the far places of the world calling to Irish
adventurers. There are careers calling for vitality and ambition. And
what young woman dare presume to bother poets when there are great
purple mountains to enthrall them, and wooded glens and the crashing
sea? And winds like wine. The crooning of great romantic ghosts. And
an Irish poet is not a pale man to be comforted by women, but a lithe,
muscular man with a sword.
Also, in Ireland is little marriage or giving in marriage, if we except
the peasantry and the very poor. The young men spread their wings to
go abroad, and when they return it is usually with a foreign bride, so
that there are convents innumerable in that country, also many mad
women at large, as in politics. Unless a girl is very rich she has
little chance of a happy marriage. A title may help her, curates and
captains in the army having a belief that the daughters of earls will
help them to preferment; also, it sounds well, they think--the Reverend
Septimus and Lady Jones, Captain and Lady Plantagenet Murphy. There
are sadder things in Ireland than the weeping skies.
But though the right of marriage may be often denied them, young Irish
girls have always their inalienable right of dreams. Soft winds and
nodding flowers and sun going down on the western hills, and with the
twilight comes always a love. Out of the blue twilight and soft wind
they weave a magical life of love that will be always young, of a world
that will be ever kind, of little dark children and loyal friends, of
the pageantry of foreign cities, of triumphs for their own beauty and
the lover's ability. The skies are always blue in their dreams, and
tragedies there are none, nor any sordidness. And they grow old so
peacefully in their dreams, so gracefully, and death comes so gently,
so kindly--the lover always by, always young, always loving.... Out of
the blue twilight and soft wind they dream their dreams, and they never
notice that the blue of the twilight has become a threatening black,
and the soft wind has withdrawn in itself with the set sun, as a flower
does, and all of a sudden it has grown cold, damp, and lonely and cold.
Public-domain text, read in full here on John Shaqi.
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