Ireland -- Social life and customs -- Fiction; Short stories, Irish
Because Barry had hinted it annoyed him to have her in the house while
he was trying to write, Berenice had decided to go out for an hour or
so, to give the poor lad a chance. And for a few minutes it bothered
her to be idling, whereas there were so many little things that needed
her attention. A house became so weary. It needed a flick of the hand
here and there, a touch to flowers. But the white road, and the
arching blue-green trees, and the drift of the dogwood--a cloud, not a
flower, did it seem, so delicately balanced was it in the May air--all
these took her eyes, and the immense miracle of spring drew her
thoughts from the gracious artifice of the house. How gently, how
imperceptibly it came, a little curling wave of the west wind, and the
clearly pitched note of an adventuring bird! It was like the moon,
spring was; a clear thin line of silver in the gray sky, like the
minute green of the waking willow-tree, and it grew ... under your eyes
was its sweet benevolence. And it was hard to go to sleep at night, so
much was being accomplished, for fear you would miss some phase of the
return of beauty. Oh, the little birds ... so fussy, so intense about
their nests. The showers like great sheets of silver; and after each
the slim trees were more like pretty ladies, and the great thick trees
like pleasant stalwart men. And the flowers came shyly, demurely, just
as young girls might come; just as she herself, Berenice, felt, acted
when she was fifteen, and was brought into a roomful of strange people.
And she stopped for an instant at the dark pool where the little
turtles were busy, swimming to and fro, a clear-cut, fine line on the
dusky water, a minute head with crystalline beads of eyes, just showing
... and if they thought you were watching them they dived--a flick and
they were gone--and if you saw clearly enough you could notice their
flippers waggle slowly as they made for the downy bed of the pool. And
some kept fearfully quiet, sitting on stones, or on logs, and at any
quick movement you made, they plumped like stones. And the great trees
around so much alive, so patient... She could understand how poets of
an older, simpler age saw dryads in them. Pan she could not
understand, nor satyrs, but dryads were sib to her, young shy women in
garments of apple-green. You could tell a good picture of a tree from
a bad one that way: some had dryads in them and some were only wood.
Public-domain text, read in full here on John Shaqi.
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