Or again, take the Temple of Heaven. Is there any monument in the
whole world that has more feeling of beauty about it? The white altar
lying uncovered testifies to the fundamental faith of the Chinese that
there is a God in heaven who dwelleth not in temples made with hands,
while the detail of the carving, though showing a certain sameness, yet
indicates their belief that God must love beauty. To see the white
Altar of Heaven together with the blue-roofed Temple beyond on some
sunny day when the flowers are blooming and the dark green of the pine
grove is in strong contrast with the light green of the spring herbage,
is one of those visions of beauty which make a man dream and dream
again of the noble future that may be before a race which has its
holiest places in such lovely surroundings.
As most of the readers of this book may never have seen a Chinese
building, perhaps it should be described. The architecture of the
Chinese differs from that of the West in almost every detail. A
Chinese town is a town without chimneys, and yet the absence of those
chimneys which Renaissance architects made such a feature of domestic
architecture is never missed, for Chinese roofs are curved and
decorated with quaint figures; they are often {143} coloured, bright
yellow if the building is an imperial building, or bright blue or blue
and green with yellow lines, as taste may direct. Common houses have
not such ornate roofs, but I am speaking of the houses which have some
claim to architectural excellence. This great roof is carried directly
on pillars, so that it is possible to have a Chinese house without
walls, and these wall-less houses are most suitable to a country where
the summer is hot. The massive character of the roof prevents the heat
of the sun penetrating, and the absence of walls allows of a free
current of air; if there are walls they are generally wooden screens
filled in with paper, and the effect in some old Chinese houses is very
lovely.
For winter weather these houses seem cold to us, but the Chinese have
always believed in the open-air policy. They never heat their houses;
they rely either on warm clothing or on a flue-heated bed at night; and
as they are as a race very subject to consumption, probably this policy
is one which is best suited to their constitutions. At any rate it
seems strange that while we in England are advocating open-air schools,
open-air cures, and sleeping with the window open, in China Western
influence should be destroying the admiration for a splendid form of
architecture, the characteristic of which was that while it was of
great beauty, it also shielded the inmates from the intense heat of
summer and gave them ample fresh air.
Public-domain text, read in full here on John Shaqi.
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