Besides the portraits of the Valois princes and princesses at Chantilly there are a great number of likenesses of other interesting historical personages. It would, however, lead us too far afield were we to attempt to enumerate them all. Amongst them, however, the most remarkable are as follows: _Madame Vendôme d'Alençon_,[106] mother of Antoine de Bourbon and of Louis I Prince de Condé (a drawing on a larger scale than most of the others); of the same size, _Madame l'Estrange_,[107] a lady renowned for her beauty and greatly beloved by the Dauphin François; _Henri d'Albret, King of Navarre_; _Chandus_, one of King Francis' most faithful officers; and various portraits of _Unknown Young Men_. All these are excellently drawn, may be assigned to Jean Clouet and are evidently taken from life. In some of the portraits we can detect a point of transition between the joint work of father and son: for example, in a drawing representing _Louis de Nevers_,[108] son of a Princesse de Bourbon and related to the Princes of the House of Cleves. This drawing is incorrectly designated _Saint Marsault_; but a copy supplies the right name. There is a copy of it in colours in the Lochis Collection at Bergamo, which long passed under the name of Holbein until Dr. G. Frizzoni assigned it to François Clouet, who evidently executed it from the drawing at Chantilly. In this same connection may be mentioned the _Sieur de Canaples_,[109] and the portrait of an _Unknown Lady_ of singular force of expression, very plainly clad and without ornaments, who may perhaps be _Jeanne Boucault_[110] of Tours, Jean Clouet's own clever and devoted wife. [Illustration: Plate LX. Photo. Giraudon. MADAME L'ESTRANGE. Attributed to Jean Clouet. About 1535. Musée Condé. _To face page 224._]