Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; Family -- England -- Fiction
It was curious, as the evening passed on, to see how Ellen and Lady
Peacock regarded each other, now that the tension of suspense was over.
To Ellen, the guest was primarily a distressed and widowed dame,
delivered by Griff, to whom she, as his lady love, was bound to be
gracious and kind; nor had they seen much of one another, the elder
ladies sitting in the drawing-room, and we in our own regions; but we
were all together at dinner and afterwards, and Lady Peacock, who had
been in a very limp, nervous, and terrified state all day, began to be
the Selina Clarkson we remembered, and ‘more too.’ She was still in
mourning, but she came down to dinner in gray satin sheen, and with her
hair in a most astonishing erection of bows and bands, on the very crown
of her head, raising her height at least four inches. Emily assures me
that it was the mode in use, and that she and Ellen wore their hair in
the same style, appealing to portraits to prove it. I can only say that
they never astonished my weak mind in the like manner; and that their
heads, however dressed, only appeared to me a portion of the general
woman, and part of the universal fitness of things. Ellen was likewise
amazed, most likely not at the hair, but at the transformation of the
disconsolate, frightened widow, into the handsome, fashionable, stylish
lady, talking over London acquaintance and London news with my father and
Griff whenever they left the endless subject of the Bristol adventures.
The widow had gained a good deal in beauty since her early girlhood,
having regular features, eyes of an uncommon deep blue, very black brows,
eye-lashes, and hair, and a form of the kind that is better after early
youth is over. ‘A fine figure of a woman,’ Parson Frank pronounced her,
and his wife, with the fine edge of her lips replied, ‘exactly what she
is!’
She looked upon us younger ones as mere children still—indeed she never
looked at me at all if she could help it—but she mortally offended Emily
by penning her up in a corner, and asking if Griff were engaged to that
sentimental little girl.
Emily coloured like a turkey cock between wrath and embarrassment, and
hotly protested against the word sentimental.
‘Ah yes, I see!’ she said in a patronising tone, ‘she is your bosom
friend, eh? That’s the way those things always begin. You need not
answer: I see it all. And no doubt it is a capital thing for him;
properties joining and all. And she will get a little air and style when
he takes her to London.’ It was a tremendous offence even to hint that
Ellen’s style was capable of improvement; perhaps an unprejudiced eye
would have said that the difference was between high-bred simplicity and
the air of fashion and society.
Public-domain text, read in full here on John Shaqi.
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