Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; Family -- England -- Fiction
‘Then,’ continued Emily, ‘she wavered, then turned and went under an arch
in the ruin—I fancied she was hiding something—then came out and fled
across to the steps; but there were two dark men rushing after her, and
at the stone steps there was a frightful shriek, and then it was all
over, the steps gone, all quiet, and the magnolia leaves glistening in
the moonshine. Oh! what can it all mean?’
‘Went under the arch,’ repeated Clarence. ‘Is it what she hid there that
keeps her from resting?’
‘Then you believe it really happened?’ said Emily, ‘that some terrible
scene is being acted over again. Oh! but can it be the real spirits!’
‘That is one of the great mysteries,’ answered Martyn; ‘but I could tell
you of other instances.’
‘Don’t now,’ I interposed; ‘Emily has had quite enough.’
We reminded her that the ghastly tragedy was over and would not recur
again for another year; but she was greatly shaken, and we were very
sorry for her, when the clock warned her to go to her own room, whither
Martyn escorted her. He lighted every candle he could find, and revived
the fire; but she was sadly overcome by what she had witnessed, she lay
awake all the rest of the night, and in the morning, looked so unwell,
and had so little to tell about the party that my mother thought her
spirits had been too much broken for gaieties.
The real cause could not be confessed, for it would have been ascribed to
some kind of delirium, and have made a commotion for which my father was
unfit. Besides, we had reached an age when, though we would not have
disobeyed, liberty of thought and action had become needful. All our
private confabulations were on this extraordinary scene. We looked for
the arch in the ruin, but there was, as our morning senses told us,
nothing of the kind. She tried to sketch her remembrance of both that
and the gable of the mullion chamber, and Martyn prowled about in search
of some hiding-place. Our antiquarian friend, Mr. Stafford, had made a
conjectural drawing of the Chapel restored, and all the portfolios about
the house were searched for it, disquieting mamma, who suspected Martyn’s
Oxford notions of intending to rebuild it, nor would he say that it ought
not to be done. However, he with his more advanced ecclesiology,
pronounced Mr. Stafford’s reconstruction to be absolutely mistaken and
impossible, and set to work on a fresh plan, which, by the bye, he
derides at present. It afforded, however, an excuse for routing under
the ivy and among the stones, but without much profit. From the
mouldings on the materials and in the stables and the front porch, it was
evident that the chapel had been used as a quarry, and Emily’s arch was
very probably that of the entrance door. In a dry summer, the
foundations of the walls and piers could be traced on the turf, and the
stumps of one or two columns remained, but the rest was only a confused
heap of fragments within which no one could have entered as in that
strange vision.
Public-domain text, read in full here on John Shaqi.
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