Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; Family -- England -- Fiction
‘No,’ said Clarence. ‘It was a great mercy that I did not die then.
There’s something to conquer first. But you’ll never speak of this, Ted.
I have left off telling of such things—it only gives another reason for
disbelieving me.’
However, this time his veracity was not called in question,—but he was
supposed to be under a hallucination, the creation of the noises acting
on his imagination and memory of the persecuted widow, which must have
been somewhere dormant in his mind, though he averred that he had never
heard of it. It had now, however, made a strong impression on him; he
was convinced that some crime or injustice had been perpetrated, and
thought it ought to be investigated; but Griffith made us laugh at his
championship of this shadow of a shade, and even wrote some mock heroic
verses about it,—nor would it have been easy to stir my father to seek
for the motives of an apparition which no one in the family save Clarence
professed to have seen.
The noises were indisputable, but my mother began to suspect a cause for
them. To oblige a former cook we had brought down with us as stable-boy
her son, George Sims, an imp accustomed to be the pet and jester of a
mews. Martyn was only too fond of his company, and he made no secret of
his contempt for the insufferable dulness of the country, enlivening it
by various acts of monkey-mischief, in some of which Martyn had been
implicated. That very afternoon, as Mrs. Sophia Selby was walking home
in the twilight from Chapman’s lodge, in company with Mr. Henderson, an
eldritch yell proceeding from the vaults beneath the mullion chambers
nearly frightened her into fits. Henderson darted in and captured the
two boys in the fact. Martyn’s asseveration that he had taken the pair
for Griff and Emily would have pacified the good-natured clergyman, but
Mrs. Sophia was too much agitated, or too spiteful, as we declared, not
to make a scene.
Martyn spent the evening alone and in disgrace, and only his
unimpeachable character for truth caused the acceptance of his
affirmation that the yell was an impromptu fraternal compliment, and that
he had nothing to do with the noises in the mullion chamber. He had been
supposed to be perfectly unconscious of anything of the kind, and to have
never so much as heard of a phantom, so my mother was taken somewhat
aback when, in reply to her demand whether he had ever been so naughty as
to assist George in making a noise in Clarence’s room, he said, ‘Why,
that’s the ghost of the lady that was murdered atop of the steps, and
always walks every Christmas!’
‘Who told you such ridiculous nonsense?’
Public-domain text, read in full here on John Shaqi.
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