Mrs. Hutchinson, in the noble portraiture of her husband, to which we have already had occasion to refer, thus describes his manly courteousness and affability of disposition:--"I cannot say whether he were more truly magnanimous or less proud; he never disdained the meanest person, nor flattered the greatest; he had a loving and sweet courtesy to the poorest, and would often employ many spare hours with the commonest soldiers and poorest labourers; but still so ordering his familiarity, that it never raised them to a contempt, but entertained still at the same time a reverence and love of him." [182] A man's manner, to a certain extent, indicates his character. It is the external exponent of his inner nature. It indicates his taste, his feelings, and his temper, as well as the society to which he has been accustomed. There is a conventional manner, which is of comparatively little importance; but the natural manner, the outcome of natural gifts, improved by careful self-culture, signifies a great deal. Grace of manner is inspired by sentiment, which is a source of no slight enjoyment to a cultivated mind. Viewed in this light, sentiment is of almost as much importance as talents and acquirements, while it is even more influential in giving the direction to a man s tastes and character. Sympathy is the golden key that unlocks the hearts of others. It not only teaches politeness and courtesy, but gives insight and unfolds wisdom, and may almost be regarded as the crowning grace of humanity. Artificial rules of politeness are of very little use. What passes by the name of "Etiquette" is often of the essence of unpoliteness and untruthfulness. It consists in a great measure of posture-making, and is easily seen through. Even at best, etiquette is but a substitute for good manners, though it is often but their mere counterfeit. Good manners consist, for the most part, in courteousness and kindness. Politeness has been described as the art of showing, by external signs, the internal regard we have for others. But one may be perfectly polite to another without necessarily having a special regard for him. Good manners are neither more nor less than beautiful behaviour. It has been well said, that "a beautiful form is better than a beautiful face, and a beautiful behaviour is better than a beautiful form; it gives a higher pleasure than statues or pictures--it is the finest of the fine arts."