The English are inartistic for the same reason that they are unsociable.
They may make good colonists, sailors, and mechanics; but they do not
make good singers, dancers, actors, artistes, or modistes. They neither
dress well, act well, speak well, nor write well. They want style--they
want elegance. What they have to do they do in a straightforward manner,
but without grace. This was strikingly exhibited at an International
Cattle Exhibition held at Paris a few years ago. At the close of the
Exhibition, the competitors came up with the prize animals to receive
the prizes. First came a gay and gallant Spaniard, a magnificent man,
beautifully dressed, who received a prize of the lowest class with an
air and attitude that would have become a grandee of the highest
order. Then came Frenchmen and Italians, full of grace, politeness, and
CHIC--themselves elegantly dressed, and their animals decorated to the
horns with flowers and coloured ribbons harmoniously blended. And
last of all came the exhibitor who was to receive the first prize--a
slouching man, plainly dressed, with a pair of farmer's gaiters on,
and without even a flower in his buttonhole. "Who is he?" asked
the spectators. "Why, he is the Englishman," was the reply. "The
Englishman!--that the representative of a great country!" was the
general exclamation. But it was the Englishman all over. He was sent
there, not to exhibit himself, but to show "the best beast," and he did
it, carrying away the first prize. Yet he would have been nothing the
worse for the flower in his buttonhole.
To remedy this admitted defect of grace and want of artistic taste
in the English people, a school has sprung up amongst us for the more
general diffusion of fine art. The Beautiful has now its teachers and
preachers, and by some it is almost regarded in the light of a religion.
"The Beautiful is the Good"--"The Beautiful is the True"--"The Beautiful
is the priest of the Benevolent," are among their texts. It is believed
that by the study of art the tastes of the people may be improved; that
by contemplating objects of beauty their nature will become purified;
and that by being thereby withdrawn from sensual enjoyments, their
character will be refined and elevated.
Public-domain text, read in full here on John Shaqi.
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