In the case of Johnson's own life, it was the seeing eye of Boswell that
enabled him to note and treasure up those minute details of habit and
conversation in which so much of the interest of biography consists.
Boswell, because of his simple love and admiration of his hero,
succeeded where probably greater men would have failed. He descended to
apparently insignificant, but yet most characteristic, particulars. Thus
he apologizes for informing the reader that Johnson, when journeying,
"carried in his hand a large English oak-stick:" adding, "I remember Dr.
Adam Smith, in his rhetorical lectures at Glasgow, told us he was glad
to know that Milton wore latchets in his shoes instead of buckles."
Boswell lets us know how Johnson looked, what dress he wore, what was
his talk, what were his prejudices. He painted him with all his scars,
and a wonderful portrait it is--perhaps the most complete picture of a
great man ever limned in words.
But for the accident of the Scotch advocate's intimacy with Johnson, and
his devoted admiration of him, the latter would not probably have stood
nearly so high in literature as he now does. It is in the pages of
Boswell that Johnson really lives; and but for Boswell, he might have
remained little more than a name. Others there are who have bequeathed
great works to posterity, but of whose lives next to nothing is known.
What would we not give to have a Boswell's account of Shakspeare? We
positively know more of the personal history of Socrates, of Horace, of
Cicero, of Augustine, than we do of that of Shakspeare. We do not
know what was his religion, what were his politics, what were his
experiences, what were his relations to his contemporaries. The men
of his own time do not seem to have recognised his greatness; and Ben
Jonson, the court poet, whose blank-verse Shakspeare was content
to commit to memory and recite as an actor, stood higher in popular
estimation. We only know that he was a successful theatrical manager,
and that in the prime of life he retired to his native place, where he
died, and had the honours of a village funeral. The greater part of the
biography which has been constructed respecting him has been the result,
not of contemporary observation or of record, but of inference. The best
inner biography of the man is to be found in his sonnets.
Public-domain text, read in full here on John Shaqi.
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