Another northern Renaissance building of the broletto type is the Palazzo Comunale of Brescia, in which we have a basement arcade of three arches on heavy piers, with an engaged Corinthian order adjusted in the Roman manner, and over this a single story in retreat divided into three wide bays by pilasters carrying a heavy entablature. A square-headed window in each bay is framed by an order of smaller pilasters the entablature of which reaches to the soffit of the crowning entablature. In those parts of the Ospedale Maggiore of Milan which were designed about the middle of the fifteenth century, by the Florentine architect, Antonio Filarete, the larger features are of mixed and debased mediæval character with no application of classic orders. The building is of brick with elaborate ornaments of terra-cotta, and has but two stories including the basement. The basement has a blind arcade of round arches on stumpy columns with Corinthianesque capitals, and a compound opening of two pointed arches under a larger pointed arch is set in each bay (Fig. 94). The faces of the jambs and archivolts of these openings are heavily adorned with mouldings and foliate ornaments in terra-cotta relief, while the archivolts of the arcade above have more simple neo-classic profiling, and more refined and conventional foliate ornamentation. The window-sills are on coupled corbels of heavy and inelegant form, and the whole arcade is raised on a high base with ressauts under the columns. Medallions with busts in high relief are set in the tympanums of the windows and in the spandrels of the arcade, while a wide frieze somewhat like an entablature crowns this part of the composition. The upper story has a plain brick wall with windows like those of the basement enclosed within rectangular panels. [Illustration: FIG. 95.]