Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
General
Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Guyn´teline= or =Guithtlin=, according to Geoffrey, son of Gurgiun´e
Brabtrue (_British History_, iii. 11, 12, 13); but, according to
Drayton, son of Gurgustus, an early British king. (See GURGUSTUS). His
queen was Martia, who codified what are called the Martian Laws,
translated into Anglo-Saxon by King Alfred. (See MARTIAN LAWS.)
Gurgustus ... left what his great father won
To Guynteline his heir, whose queen ...
To wise Mulmutius laws her Martian first did frame.
Drayton, _Polyolbion_, viii. (1612).
=Guyon=, (_Sir_), the personification of “temperance.” The victory of
temperance over intemperance is the subject of bk. ii. of the _Faëry
Queen_. Sir Guyon first lights on Amavia (intemperance of _grief_), a
woman who kills herself out of grief for her husband; and he takes her
infant boy and commits it to the care of Medi´na. He next meets
Braggadoccio (intemperance of the _tongue_), who is stripped bare of
everything. He then encounters Furor (intemperance of _anger_), and
delivers Phaon from his hands. Intemperance of _desire_ is discomfited
in the persons of Pyr´oclês and Cym´oclês; then intemperance of
_pleasure_, or wantonness, in the person of Phædria. After his victory
over wantonness, he sees Mammon (intemperance of _worldly wealth and
honor_); but he rejects all his offers, and Mammon is foiled. His last
and great achievement is the destruction of the “Bower of Bliss,” and
the binding in chains of adamant the enchantress Acrasia (or
_intemperance_ generally). This enchantress was fearless against Force,
but Wisdom and Temperance prevail against her.—Spenser, _Faëry Queen_,
ii. 12 (1500).
=Guyot= (_Bertrand_), one of the archers in the Scottish guard attached
to Louis XI.—Sir W. Scott, _Quentin Durward_ (time, Edward IV.).
=Guzman d’Alfara´che= (_4 syl._), hero of a Spanish romance of roguery.
He begins by being a dupe, but soon becomes a knave in the character of
stable-boy, beggar, swindler, pander, student, merchant, and so
on.—Mateo Aleman (1599).
=Guzman.= The priest who brings up _Don Juan_ in Mansfield’s play of
that name. He tries to train the boy aright; failing in this, he screens
him and palliates his offences; makes a desperate effort to save his
life when he is menaced by Don Alonzo, frustrated by the youth’s
chivalric self-devotion, and is with the hapless prisoner at the moment
of his death.—Richard Mansfield, _Don Juan_ (1891).
=Gwenhid´wy=, a mermaid. The white foamy waves are called her sheep, and
the ninth wave her ram.
Take shelter when you see Gwenhidwy driving her flock ashore.—_Welsh
Proverb_.
... they watched the great sea fall,
Wave after wave, each mightier than the last;
Till, last a ninth one, gathering half the deep,
And full of voices, slowly rose and plunged,
Roaring, and all the wave was in a flame.
Tennyson, _The Holy Grail_.
Public-domain text, read in full here on John Shaqi.
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