Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
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Character Sketches of Romance, Fiction, and the Drama, Vol. 2: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
Hildegard sat motionless; a smile hovered about her mouth, and a deep
blush suffused her cheek; but she dared not risk looking up, for fear
lest the pleasant dream should be ended. “Is it thou, my comrade?” she
softly murmured. But hardly had she spoken before she repented the too
familiar speech.
“I am lying here above thee, in the green leaves,” sounded back to her
from overhead. “Right comfortable is my bed on the strong branch; look
upward, if so please thee, that I may once more see those large eyes of
thine, since it is they that have brought me hither.”
The maiden sprang lightly up, and turned toward the branch. In the same
instant Immo thrust his head quickly out, and clinging to the branch
with one hand he threw the other round her neck, and kissed her on the
mouth. “Good day, comrade,” he said. “That is what I made up my mind to
do, and I have done it!” He looked out once more from his hiding-place,
and gazed tenderly upon her blushing cheek.—Gustav Freytag, _The Wrens’
Nest_.
=Immortal Four of Italy= (_The_): Dantê (1265-1321), Petrarch
(1304-1374), Ariosto (1474-1533), and Tasso (1544-1595).
The poets read he o’er and o’er,
And most of all the Immortal Four
Of Italy.
Longfellow, _The Wayside Inn_, (prelude).
=Imogen=, daughter of Cym´beline (3 _syl._), king of Britain, married
clandestinely Posthumus Leonātus; and Posthumus, being banished for
the offence, retired to Rome. One day, in the house of Philario, the
conversation turned on the merits of wives, and Posthumus bet his
diamond ring that nothing could tempt the fidelity of Imogen. Iachimo
accepted the wager, laid his plans, and after due time induced
Posthumus to believe that Imogen had played false, showing, by the way
of proof, a bracelet, which he affirmed she had given him; so
Posthumus handed over to him the ring given him by Imogen at parting.
Posthumus now ordered his servant Pisanio to inveigle Imogen to
Milford Haven, under pretence of seeing her husband, and to murder her
on the road; but Pisanio told Imogen his instructions, advised her to
enter the service of Lucius, the Roman general in Britain, as a page,
and promised that he would make Posthumus believe that she was dead.
This was done; and not long afterwards a battle ensued, in which the
Romans were defeated, and Lucius, Iachimo, and Imogen were taken
prisoners. Posthumus also took part in the battle, and obtained for
his services the royal pardon. The captives being brought before
Cymbeline, Lucius entreated the king to liberate Imogen. The petition
was not only granted, but Imogen was permitted, at the same time, to
ask a boon of the British king. She only begged that Iachimo should
inform the court how he came by the ring he was wearing on his finger.
The whole villainy was thus revealed, a reconciliation took place, and
all ended happily. (See ZINEURA.)—Shakespeare, _Cymbeline_ (1605).
Public-domain text, read in full here on John Shaqi.
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