Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
General
Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Pancaste= (3 _syl._), or CAMPASPE, one of the concubines of Alexander the
Great. Apellés fell in love with her while he was employed in painting
the king of Macedon, and Alexander, out of regard to the artist, gave
her to him for a wife. Apellês selected for his “Venus Rising from the
Sea” (usually called “Venus Anadyomĕnê”) this beautiful Athenian woman,
together with Phrynê, another courtezan.
⁂ Phrynê was also the academy figure for the “Cnidian Venus” of
Praxitĕlês.
=Pancks=, a quick, short, eager, dark man, with too much “way.” He dressed
in black and rusty iron grey; had jet-black beads for eyes, a scrubby
little black chin, wiry black hair striking out from his head in prongs
like hair-pins, and a complexion that was very dingy by nature, or very
dirty by art, or a compound of both. He had dirty hands, and dirty,
broken nails, and looked as if he had been in the coals. He snorted and
sniffed, and puffed and blew, and was generally in a perspiration. It
was Mr. Pancks who “moled out” the secret that Mr. Dorrit, imprisoned
for debt in the Marshalsea prison, was heir-at-law to a great estate,
which had long lain unclaimed, and was extremely rich (ch. xxxv.). Mr.
Pancks also induced Clennam to invest in Merdle’s bank shares, and
demonstrated by figures the profit he would realize; but the bank being
a bubble the shares were worthless.--C. Dickens, _Little Dorrit_
(1857).
=Pancrace=, a doctor of the Aristotelian school. He maintained that it was
improper to speak of the “_form_ of a hat,” because form “est la
disposition extérieure des corps qui sont animés,” and therefore we
should say the “_figure_ of a hat,” because figure “est la disposition
extérieure des corps qui sont inanimés;” and because his adversary could
not agree, he called him “un ignorant, un ignorantissime,
ignorantifiant, et ignorantifiè”[TN-62] (sc. viii.).--Molière, _Le Mariage
Forcé_ (1664).
=Pancras= (_The earl of_), one of the skillful companions of Barlow, the
famous archer; another was called the “Marquis of Islington;” while
Barlow himself was mirthfully created by Henry VIII., “Duke of
Shoreditch.”
_Pancras_ (_St._), patron saint of children, martyred by Diocletian at
the age of 14 (A.D. 304).
=Pan´darus=, the Lycian, one of the allies of Priam in the Trojan war. He
is drawn under two widely different characters: In classic story he is
depicted as an admirable archer, slain by Diomed, and honored as a
hero-god in his own country; but in mediæval romance he is represented
as a despicable pimp, insomuch that the word _pander_ is derived from
his name. Chaucer, in his _Troïlus and Cresseide_, and Shakespeare, in
his drama of _Troilus and Cressida_, represent him as procuring for
Troilus the good graces of Cressid, and in _Much Ado About Nothing_, it
is said that Troilus “was the first employer of pandars.”
Public-domain text, read in full here on John Shaqi.
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