She is also the central figure in a quiet story of domestic life, entitled _Patience Strong’s Outings_ (1858). =Patin=, brother of the emperor of Rome. He fights with Am´adis of Gaul, and has his horse killed under him.--Vasco de Lobeira, _Amadis de Gaul_ (thirteenth century). =Patison=, licensed jester to Sir Thos. More. Hans Holbein has introduced this jester in his famous picture of the lord chancellor. =Patriarch of Dorchester=,[TN-69] John White, of Dorchester, a puritan divine (1574-1648). =Patriarchs= (_The Last of the_). So _Christopher Casby_, of Bleeding-heart Yard was called. “So grey, so slow, so quiet, so impassionate, so very bumpy in the head, that patriarch was the word for him.” Painters implored him to be a model for some patriarch they designed to paint. Philanthropists looked on him as famous capital for a platform. He had once been town agent in the Circumlocution Office, and was well-to-do. His face had a bloom on it like ripe wall-fruit, and his blue eyes seemed to be the eyes of wisdom and virtue. His whole face teemed with the look of benignity. Nobody could say where the wisdom was, or where the virtue was, or where the benignity was, but they seemed to be somewhere about him.... He wore a long wide-skirted bottle-green coat, and a bottle-green pair of trousers, and a bottle-green waistcoat. The patriarchs were not dressed in bottle-green broadcloth, and yet his clothes looked patriarchal.--C. Dickens, _Little Dorrit_ (1857). =Patrick=, an old domestic at Shaw’s Castle.--Sir W. Scott, _St. Ronan’s Well_ (time, George III.). _Patrick_ (_St._), the tutelar saint of Ireland. Born at Kirk Patrick, near Dumbarton. His baptismal name was “Succeath” (“valor in war”), changed by Milcho, to whom he was sold as a slave into “Cotharig” (four families or four masters, to whom he had been sold). It was Pope Celestine who changed the name to “Patricius,” when he sent him to convert the Irish. Certainly the most marvellous of all the miracles ascribed to the saints is that recorded of St. Patrick. “He swam across the Shannon with his head in his mouth!” _Saint Patrick and King O’Neil._ One day, the saint set the end of his crozier on the foot of O’Neil, king of Ulster, and, leaning heavily on it, hurt the king’s foot severely; but the royal convert showed no indication of pain or annoyance whatsoever. A similar anecdote is told of St. Areed, who went to show the king of Abyssinia a musical instrument he had invented. His majesty rested the head of his spear on the saint’s foot, and leaned with both his hands on the spear while he listened to the music. St. Areed, though his great toe was severely pierced, showed no sign of pain, but went on playing as if nothing was the matter.