Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
General
Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
Now I will believe
That there are unicorns; that in Arabia
There is one tree, the phœnix’ throne; one phœnix
At this hour reigning there.
Shakespeare, _The Tempest_, act iii. sc. 3 (1609).
=Phorcus=, “the old man of the sea.” He had three daughters, with only one
eye and one tooth between ’em.--_Greek Mythology._
This is not “the old man of the sea” mentioned in the _Arabian Nights_
(“Sindbad the Sailor”).
=Phor´mio=, a parasite, who is “all things to all men.”--Terence,
_Phormio_.
=Phosphor=, the light-bringer or morning star; also called _Hespĕrus_, and
by Homer and Hesiod _Heôs-phŏros_.
Bright Phosphor, fresher for the night,
Sweet Hesper-Phosphor, double name.
Tennyson, _In Memoriam_, cxxi. (1850).
=Phos´phorus=, a knight called by Tennyson “Morning Star,” but, in the
_History of Prince Arthur_, “Sir Persaunt of India, or the Blue Knight.”
One of the four brothers who kept the passages to Castle
Perilous.--Tennyson, _Idylls_ (“Gareth and Lynette”); Sir T. Malory,
_History of Prince Arthur_, i. 131 (1470).
⁂ It is evidently a blunder to call the _Blue_ Knight “Morning Star,”
and the _Green_ Knight “Evening Star.” In the old romance, the combat
with the “Green Knight,” is at dawn, and with the “Blue Knight” at
nightfall. The error arose from not bearing in mind that our forefathers
began the day with the preceding eve, and ended it at sunset.
=Phraortes= (3 _syl._), a Greek admiral.--Sir W. Scott, _Count Robert of
Paris_ (time, Rufus).
=Phry´ne= (2 _syl._), an Athenian courtezan of surpassing beauty.
Apellês’s celebrated picture of “Venus Anadyomĕnê” was drawn from
Phrynê, who entered the sea with hair dishevelled for a model. The
“Cnidian Venus” of Praxitĕlês was also taken from the same model.
Some say Campaspê was the academy figure of the “Venus Anadyomenê.” Pope
has a poem called _Phryne_.
=Phyllis=, a Thracian, who fell in love with Demoph´oön. After some months
of mutual affection, Demophoon was obliged to sail for Athens, but
promised to return within a month. When a month had elapsed, and
Demophoon did not put in an appearance, Phyllis so mourned for him that
she was changed into an almond tree, hence called by the Greeks
_Phylia_. In time, Demophoon returned, and, being told the fate of
Phyllis, ran to embrace the tree, which though bare and leafless at the
time, was instantly covered with leaves, hence called _Phylla_ by the
Greeks.
Let Demophoon tell
Why Phyllis by a fate untimely fell.
Ovid, _Art of Love_, iii.
_Phyllis_, a country girl in Virgil’s third and fifth _Eclogues_. Hence
a rustic maiden. Also spelt Phillis (_q.v._).
_Phyllis_, in Spenser’s eclogue, _Colin Clout’s Come Home Again_, is
Lady Carey, wife of Sir George Carey (afterwards Lord Hunsdon, 1596).
Lady Carey was Elizabeth, the second of the six daughters of Sir John
Spenser, of Althorpe, ancestor of the noble houses of Spenser and
Marlborough.
Public-domain text, read in full here on John Shaqi.
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