Character Sketches of Romance, Fiction, and the Drama, Vol. 4: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
General
Character Sketches of Romance, Fiction, and the Drama, Vol. 4: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
=Turquoise= (2 _syl._), a blue material found in Persia, the exact
nature of which is not known. Sundry virtues are attached to it: (1)
It indicates by its hue the state of the wearer’s health; (2) it
indicates by its change of lustre if any peril awaits the wearer; (3)
it removes animosity between the giver and the receiver; (4) it is a
potent love-charm, and hence Leah gave a turquoise ring to Shylock
“when he was a bachelor,” in order to make him propose to her.
=Tur´veydrop= (_Mr._), a selfish, self-indulgent, conceited
dancing-master, who imposes on the world by his majestic appearance
and elaborate toilette. He lives on the earnings of his son (named
Prince, after the prince regent), who reveres him as a perfect model
of “deportment.”--C. Dickens, _Bleak House_ (1852).
=Tuscan Poet= (_The_), Ludovico Ariosto, born at Reggio, in Modena
(1474-1533). Noted for his poem entitled _Orlando Furioso_.
The Tuscan poet doth advance
The frantic paladin of France.
Drayton, _Nymphidia_ (1563-1631).
=Tutivillus=, the demon who collects all the fragments of words
omitted, mutilated, or mispronounced by priests in the performance of
religious services, and stores them up in that “bottomless” pit which
is “paved with good intentions.”--Langland, _Visions of Piers
Plowman_, 547 (1362); and the _Townley Mysteries_, 310, 319, etc.
=Twangdillo=, the fiddler, in Somerville’s _Hobbinol_, a burlesque
poem in three cantos. Twangdillo had lost one leg and one eye by a
stroke of lightning on the banks of the Ister, but was still
merry-hearted.
He tickles every string to every note;
He bends his pliant neck, his single eye
Twinkles with joy, his active stump beats time.
_Hobbinol_, or _The Rural Games_, i. (1740).
=Tweedledum and Tweedledee.= In the time of George III. the musical
world was divided between the parties holding by the German Händel and
the Italian Bononcini. The prince of Wales supported Händel, the duke
of Marlborough stood for Bononcini.
Some say, compared to Bononcini,
That mynherr Handel’s but a ninny;
Others aver that he to Handel
Is scarcely fit to hold a candle;
Strange all this difference should be
’Twixt Tweedledum and Tweedledee.
J. Byrom (1691-1763).
Public-domain text, read in full here on John Shaqi.
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