Characters and characteristics in literature; English literature
Is one to be held off still at the same distance you are now; for you
shall have him but thus, and if you enter on him farther you lose him.
Methinks Virgil well expresses him in those well-behaved ghosts that
Æneas met with, that were friends to talk with, and men to look on, but
if he grasped them, but air.[82] He is one that lies kindly to you, and
for good fashion's sake, and 'tis discourtesy in you to believe him. His
words are so many fine phrases set together, which serve equally for all
men, and are equally to no purpose. Each fresh encounter with a man puts
him to the same part again, and he goes over to you what he said to him
was last with him: he kisses your hands as he kissed his before, and is
your servant to be commanded, but you shall intreat of him nothing. His
proffers are universal and general, with exceptions against all
particulars. He will do any thing for you, but if you urge him to this,
he cannot, or to that, he is engaged; but he will do any thing. Promises
he accounts but a kind of mannerly words, and in the expectation of your
manners not to exact them: if you do, he wonders at your ill breeding,
that cannot distinguish betwixt what is spoken and what is meant. No man
gives better satisfaction at the first, and comes off more with the
elegy of a kind gentleman, till you know him better, and then you know
him for nothing. And commonly those most rail at him, that have before
most commended him. The best is, he cozens you in a fair manner, and
abuses you with great respect.
A POOR FIDDLER
Is a man and a fiddle out of case, and he in worse case than his fiddle.
One that rubs two sticks together (as the Indians strike fire), and rubs
a poor living out of it; partly from this, and partly from your charity,
which is more in the hearing than giving him, for he sells nothing
dearer than to be gone. He is just so many strings above a beggar,
though he have but two; and yet he begs too, only not in the downright
'for God's sake,' but with a shrugging 'God bless you,' and his face is
more pined than the blind man's. Hunger is the greatest pain he takes,
except a broken head sometimes, and the labouring John Dory.[83]
Otherwise his life is so many fits of mirth, and 'tis some mirth to see
him. A good feast shall draw him five miles by the nose, and you shall
track him again by the scent. His other pilgrimages are fairs and good
houses, where his devotion is great to the Christmas; and no man loves
good times better. He is in league with the tapsters for the worshipful
of the inn, whom he torments next morning with his art, and has their
names more perfect than their men. A new song is better to him than a
new jacket, especially if bawdy, which he calls merry; and hates
naturally the puritan, as an enemy to this mirth. A country wedding and
Whitsun-ale are the two main places he domineers in, where he goes for a
musician, and overlooks the bag-pipe. The rest of him is drunk, and in
the stocks.
A MEDDLING MAN
Public-domain text, read in full here on John Shaqi.
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