Characters and characteristics in literature; English literature
When he writes he never proposes any scope or purpose to himself, but
gives his genius all freedom; for as he that rides abroad for his
pleasure can hardly be out of his way, so he that writes for his
pleasure can seldom be beside his subject. It is an ungrateful thing to
a noble wit to be confined to anything. To what purpose did the ancients
feign Pegasus to have wings if he must be confined to the road and
stages like a pack-horse, or be forced to be obedient to hedges and
ditches? Therefore he has no respect to decorum and propriety of
circumstance, for the regard of persons, times, and places is a
restraint too servile to be imposed upon poetical license, like him that
made Plato confess Juvenal to be a philosopher, or Persius, that calls
the Athenians Quirites.
For metaphors, he uses to choose the hardest and most far-set that he
can light upon. These are the jewels of eloquence, and therefore the
harder they are the more precious they must be.
He'll take a scant piece of coarse sense and stretch it on the
tenterhooks of half-a-score rhymes, until it crack that you may see
through it and it rattle like a drumhead. When you see his verses hanged
up in tobacco-shops, you may say, in defiance of the proverb, "that the
weakest does not always go to the wall;" for 'tis well known the lines
are strong enough, and in that sense may justly take the wall of any
that have been written in our language. He seldom makes a conscience of
his rhymes, but will often take the liberty to make "preach" rhyme with
"cheat," "vote" with "rogue," and "committee-man" with "hang."
He'll make one word of as many joints as the tin-pudding that a juggler
pulls out of his throat and chops in again. What think you of
_glud-fum-flam-hasta-minantes?_ Some of the old Latin poets bragged that
their verses were tougher than brass and harder than marble; what would
they have done if they had seen these? Verily they would have had more
reason to wish themselves an hundred throats than they then had to
pronounce them.
There are some that drive a trade in writing in praise of other writers
(like rooks, that bet on gamesters' hands), not at all to celebrate the
learned author's merits, as they would show but their own wits, of which
he is but the subject. The lechery of this vanity has spawned more
writers than the civil law. For those whose modesty must not endure to
hear their own praises spoken may yet publish of themselves the most
notorious vapours imaginable. For if the privilege of love be
allowed--_Dicere quiz puduit, scribere jussit amor_--why should it not
be so in self-love too? For if it be wisdom to conceal our
imperfections, what is it to discover our virtues? It is not likely that
Nature gave men great parts upon such terms as the fairies used to give
money, to pinch and leave them if they speak of it. They say--Praise is
but the shadow of virtue, and sure that virtue is very foolish that is
afraid of its own shadow.
Public-domain text, read in full here on John Shaqi.
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