Characters and characteristics in literature; English literature
Is a dwarf scholar, that never outgrows the mode and fashion of the
school where he should have been taught. He wears his little learning,
unmade-up, puts it on before it was half finished, without pressing or
smoothing. He studies and uses words with the greatest respect possible,
merely for their own sakes, like an honest man, without any regard of
interest, as they are useful and serviceable to things, and among those
he is kindest to strangers (like a civil gentleman) that are far from
their own country and most unknown. He collects old sayings and ends of
verses, as antiquaries do old coins, and is as glad to produce them upon
all occasions. He has sentences ready lying by him for all purposes,
though to no one, and talks of authors as familiarly as his
fellow-collegiates. He will challenge acquaintance with those he never
saw before, and pretend to intimate knowledge of those he has only heard
of. He is well stored with terms of art, but does not know how to use
them, like a country-fellow that carries his gloves in his hands, not
his hands in his gloves. He handles arts and sciences like those that
can play a little upon an instrument, but do not know whether it be in
tune or not. He converses by the book, and does not talk, but quote. If
he can but screw in something that an ancient writer said, he believes
it to be much better than if he had something of himself to the purpose.
His brain is not able to concoct what it takes in, and therefore brings
things up as they were swallowed, that is, crude and undigested, in
whole sentences, not assimilated sense, which he rather affects; for his
want of judgment, like want of health, renders his appetite
preposterous. He pumps for affected and far-set expressions, and they
always prove as far from the purpose. He admires canting above sense. He
is worse than one that is utterly ignorant, as a cock that sees a little
fights worse than one that is stark blind. He speaks in a different
dialect from other men, and much affects forced expressions, forgetting
that hard words, as well as evil ones, corrupt good manners. He can do
nothing, like a conjurer, out of the circle of his arts, nor in it
without canting and ... If he professes physic, he gives his patients
sound, hard words for their money, as cheap as he can afford; for they
cost him money, and study too, before he came by them, and he has reason
to make as much of them as he can.
A HUNTER
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