Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
It would be a waste of words to refute certain critics who have accused
Shakspeare of a want of judgment in the adoption of the story; of
having transferred the manners of a set of intoxicated merchants and a
merchant's wife to heroes and princesses, and of having entirely
destroyed the interest of the catastrophe.[56] The truth is, that
Shakspeare has wrought out the materials before him with the most
luxuriant fancy and the most wonderful skill. As for the various
anachronisms, and the confusion of names, dates, and manners, over which
Dr. Johnson exults in no measured terms, the confusion is nowhere but in
his own heavy obtuseness of sentiment and perception, and his want of
poetical faith. Look into the old Italian poets, whom we read
continually with still increasing pleasure; does any one think of
sitting down to disprove the existence of Ariodante, king of Scotland?
or to prove that the mention of Proteus and Pluto, baptism and the
Virgin Mary, in a breath, amounts to an anachronism? Shakspeare, by
throwing his story far back into a remote and uncertain age, has
blended, by his "own omnipotent will," the marvellous, the heroic, the
ideal, and the classical,--the extreme of refinement and the extreme of
simplicity,--into one of the loveliest fictions of romantic poetry; and,
to use Schlegel's expression, "has made the social manners of the latest
times harmonize with heroic deeds, and even with the appearances of the
gods."[57]
But, admirable as is the conduct of the whole play, rich in variety of
character and in picturesque incident, its chief beauty and interest is
derived from Imogen.
When Ferdinand tells Miranda that she was "created of every creature's
best," he speaks like a lover, or refers only to her personal charms:
the same expression might be applied critically to the character of
Imogen; for, as the portrait of Miranda is produced by resolving the
female character into its original elements, so that of Imogen unites
the greatest number of those qualities which we imagine to constitute
excellency in woman.
Public-domain text, read in full here on John Shaqi.
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