Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
The man is afterwards brought back, almost by force, to satisfy
Cleopatra's jealous anxiety, by a description of Octavia:--but this
time, made wise by experience, he takes care to adapt his information to
the humors of his imperious mistress, and gives her a satirical picture
of her rival. The scene which follows, in which Cleopatra--artful,
acute, and penetrating as she is--becomes the dupe of her feminine spite
and jealousy, nay, assists in duping herself; and after having cuffed
the messenger for telling her truths which are offensive, rewards him
for the falsehood which flatters her weakness--is not only an admirable
exhibition of character, but a fine moral lesson.
She concludes, after dismissing the messenger with gold and thanks,
I repent me much
That I so harry'd him. Why, methinks by him
This creature's no such thing?
CHARMIAN.
O nothing, madam.
CLEOPATRA.
The man hath seen some majesty, and should know!
Do we not fancy Cleopatra drawing herself up with all the vain
consciousness of rank and beauty as she pronounces this last line? and
is not this the very woman who celebrated her own apotheosis,--who
arrayed herself in the robe and diadem of the goddess Isis, and could
find no titles magnificent enough for her children but those of _the
Sun_ and _the Moon_?
The despotism and insolence of her temper are touched in some other
places most admirably. Thus, when she is told that the Romans libel and
abuse her, she exclaims,--
Sink Rome, and their tongues rot
That speak against us!
And when one of her attendants observes, that "Herod of Jewry dared not
look upon her but when she were well pleased," she immediately replies,
"That Herod's head I'll have."[71]
When Proculeius surprises her in her monument, and snatches her poniard
from her, terror, and fury, pride, passion, and disdain, swell in her
haughty soul, and seem to shake her very being.
CLEOPATRA.
Where art thou, death?
Come hither, come! come, come and take a queen
Worth many babes and beggars!
PROCULEIUS.
O temperance, lady?
CLEOPATRA.
Sir, I will eat no meat; I'll not drink, sir:
If idle talk will once be necessary.
I'll not sleep neither; this mortal house I'll ruin,
Do Caesar what he can! Know, sir, that I
Will not wait pinion'd at your master's court,
Nor once be chastis'd with the sober eye
Of dull Octavia. Shall they hoist me up,
And show me to the shouting varletry
Of censuring Rome? Rather a ditch in Egypt
Be gentle grave to me! Rather on Nilus' mud
Lay me stark naked, and let the water-flies
Blow me into abhorring! Rather make
My country's high pyramids my gibbet,
And hang me up in chains!
Public-domain text, read in full here on John Shaqi.
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