Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
Among the arguments against the authenticity of these plays, the
character of Margaret of Anjou has not been adduced, and yet to those
who have studied Shakspeare in his own spirit, it will appear the most
conclusive of all. When we compare her with his other female characters,
we are struck at once by the want of family likeness; Shakspeare was not
always equal, but he had not two _manners_, as they say of painters. I
discern his hand in particular parts, but I cannot recognize his spirit
in the conception of the whole: he may have laid on some of the colors,
but the original design has a certain hardness and heaviness, very
unlike his usual style. Margaret of Anjou, as exhibited in these
tragedies, is a dramatic portrait of considerable truth, and vigor, and
consistency--but she is not one of Shakspeare's women. He who knew so
well in what true greatness of spirit consisted--who could excite our
respect and sympathy even for a Lady Macbeth, would never have given us
a heroine without a touch of heroism; he would not have portrayed a
high-hearted woman, struggling unsubdued against the strangest
vicissitudes of fortune, meeting reverses and disasters, such as would
have broken the most masculine spirit, with unshaken constancy, yet left
her without a single personal quality which would excite our interest in
her bravely-endured misfortunes; and this too in the very face of
history. He would not have given us, in lieu of the magnanimous queen,
the subtle and accomplished French woman, a mere "Amazonian trull," with
every coarser feature of depravity and ferocity; he would have redeemed
her from unmingled detestation; he would have breathed into her some of
his own sweet spirit--he would have given the woman a soul.
The old chronicler Hall informs us, that Queen Margaret "excelled all
other as well in beauty and favor, as in wit and policy, and was in
stomach and courage more like to a man than to a woman." He adds, that
after the espousals of Henry and Margaret, "the king's friends fell from
him; the lords of the realm fell in division among themselves; the
Commons rebelled against their natural prince; fields were foughten;
many thousands slain; and, finally, the king was deposed, and his son
slain, and his queen sent home again with as much misery and sorrow as
she was received with pomp and triumph."
Public-domain text, read in full here on John Shaqi.
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