Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
Would I had never trod this English ground,
Or felt the flatteries that grow upon it.
What will become of me now, wretched lady?
I am the most unhappy woman living.
Alas! poor wenches! where are now your fortunes?
[_To her women_
Shipwrecked upon a kingdom, where no pity,
No friends, no hope, no kindred weep for me!
Almost no grave allowed me! Like the lily that once
Was mistress of the field, and flourish'd,
I'll hang my head and perish.
Dr. Johnson observes on this scene, that all Katherine's distresses
could not save her from a quibble on the word _cardinal_.
Holy men I thought ye,
Upon my soul, two reverend cardinal virtues;
But cardinal sins, and hollow hearts, I fear ye!
When we read this passage in connection with the situation and
sentiment, the scornful play upon the words is not only appropriate and
natural, it seems inevitable. Katherine, assuredly, is neither an
imaginative nor a witty personage; but we all acknowledge the truism,
that anger inspires wit, and whenever there is passion there is poetry.
In the instance just alluded to, the sarcasm springs naturally out from
the bitter indignation of the moment. In her grand rebuke of Wolsey, in
the trial scene, how just and beautiful is the gradual elevation of her
language, till it rises into that magnificent image--
You have by fortune and his highness' favors,
Gone slightly o'er low steps, and now are mounted,
Where powers are your retainers, &c.
In the depth of her affliction, the pathos as naturally clothes itself
in poetry.
Like the lily,
That was mistress of the field, and flourish'd,
I'll hang my head and perish.
But these, I believe, are the only instances of imagery throughout; for,
in general, her language is plain and energetic. It has the strength and
simplicity of her character, with very little metaphor and less wit.
In approaching the last scene of Katherine's life, I feel as if about to
tread within a sanctuary, where nothing befits us but silence and tears;
veneration so strives with compassion, tenderness with awe.[108]
We must suppose a long interval to have elapsed since Katherine's
interview with the two cardinals. Wolsey was disgraced, and poor Anna
Bullen at the height of her short-lived prosperity. It was Wolsey's fate
to be detested by both queens. In the pursuance of his own selfish and
ambitious designs, he had treated both with perfidy; and one was the
remote, the other the immediate, cause of his ruin.[109]
Public-domain text, read in full here on John Shaqi.
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