Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
Though I cannot go the length of those who have defended Bertram on
almost every point, still I think the censure which Johnson has passed
on the character is much too severe. Bertram is certainly not a pattern
hero of romance, but full of faults such as we meet with every day in
men of his age and class. He is a bold, ardent, self-willed youth, just
dismissed into the world from domestic indulgence, with an excess of
aristocratic and military pride, but not without some sense of true
honor and generosity. I have lately read a defence of Bertram's
character, written with much elegance and plausibility. "The young
Count," says this critic, "comes before us possessed of a good heart,
and of no mean capacity, but with a haughtiness which threatens to dull
the kinder passions, and to cloud the intellect. This is the inevitable
consequence of an illustrious education. The glare of his birthright has
dazzled his young faculties. Perhaps the first words he could
distinguish were from the important nurse, giving elaborate directions
about his lordship's pap. As soon as he could walk, a crowd of
submissive vassals doffed their caps, and hailed his first appearance on
his legs. His spelling book had the arms of the family emblazoned on the
cover. He had been accustomed to hear himself called the great, the
mighty son of Roussillon, ever since he was a helpless child. A
succession of complacent tutors would by no means destroy the illusion;
and it is from their hands that Shakspeare receives him, while yet in
his minority. An overweening pride of birth is Bertram's great foible.
To cure him of this, Shakspeare sends him to the wars, that he may win
fame for himself, and thus exchange a shadow for a reality. There the
great dignity that his valor acquired for him places him on an equality
with any one of his ancestors, and he is no longer beholden to them
alone for the world's observance. Thus in his own person he discovers
there is something better than mere hereditary honors; and his heart is
prepared to acknowledge that the entire devotion of a Helen's love is of
more worth than the court-bred smiles of a princess."[33]
It is not extraordinary that, in the first instance, his spirit should
revolt at the idea of marrying his mother's "waiting gentlewoman," or
that he should refuse her; yet when the king, his feudal lord, whose
despotic authority was in this case legal and indisputable, threatens
him with the extremity of his wrath and vengeance, that he should submit
himself to a hard necessity, was too consistent with the manners of the
time to be called _cowardice_. Such forced marriages were not uncommon
even in our own country, when the right of wardship, now vested in the
Lord Chancellor, was exercised with uncontrolled and often cruel
despotism by the sovereign.
Public-domain text, read in full here on John Shaqi.
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