Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
As the innate dignity of Perdita pierces through her rustic disguise, so
the exquisite refinement of Viola triumphs over her masculine attire.
Viola is, perhaps, in a degree less elevated and ideal than Perdita, but
with a touch of sentiment more profound and heart-stirring; she is
"deep-learned in the lore of love,"--at least theoretically,--and speaks
as masterly on the subject as Perdita does of flowers.
DUKE.
How dost thou like this tune?
VIOLA.
It gives a very echo to the seat
Where love is thron'd.
And again,
If I did love you in my master's flame,
With such a suffering, such a deadly life--
in your denial I would find no sense,
I would not understand it.
OLIVIA.
Why, what would you do?
VIOLA.
Make me a willow cabin at your gate,
And call upon my soul within the house;
Write loyal cantons[35] of contemned love,
And sing them loud even in the dead of night.
Holla your name to the reverberate hills,
And make babbling gossip of the air
Cry out, Olivia! O you should not rest
Between the elements of air and earth,
But you should pity me.
OLIVIA.
You might do much.
The situation and the character of Viola have been censured for their
want of consistency and probability; it is therefore worth while to
examine how far this criticism is true. As for her situation in the
drama, (of which she is properly the heroine,) it is shortly this. She
is shipwrecked on the coast of Illyria: she is alone and without
protection in a strange country. She wishes to enter into the service of
the Countess Olivia; but she is assured that this is impossible; "for
the lady having recently lost an only and beloved brother, has abjured
the sight of men, has shut herself up in her palace, and will admit no
kind of suit." In this perplexity Viola remembers to have heard her
father speak with praise and admiration of Orsino, the Duke of the
country; and having ascertained that he is not married, and that
therefore his court is not a proper asylum for her in her feminine
character, she attires herself in the disguise of a page, as the best
protection against uncivil comments, till she can gain some tidings of
her brother.
Public-domain text, read in full here on John Shaqi.
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