Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
person have attained maturity; she is not aware of the nature of her own
feelings; they are prematurely developed in their full force before she
has strength to bear them; and love and grief together rend and shatter
the frail texture of her existence, like the burning fluid poured into a
crystal vase. She says very little, and what she does say seems rather
intended to hide than to reveal the emotions of her heart; yet in those
few words we are made as perfectly acquainted with her character, and
with what is passing in her mind, as if she had thrown forth her soul
with all the glowing eloquence of Juliet. Passion with Juliet seems
innate, a part of her being, "as dwells the gathered lightning in the
cloud;" and we never fancy her but with the dark splendid eyes and
Titian-like complexion of the south. While in Ophelia we recognize as
distinctly the pensive, fair-haired, blue-eyed daughter of the north,
whose heart seems to vibrate to the passion she has inspired, more
conscious of being loved than of loving; and yet, alas! loving in the
silent depths of her young heart far more than she is loved.
When her brother warns her against Hamlet's importunities--
For Hamlet, and the trifling of his favor,
Hold it a fashion, and a toy of blood,
A violet in the youth of primy nature,
Forward not permanent, sweet not lasting,
The perfume and the suppliance of a minute--
No more!
she replies with a kind of half consciousness--
No more but so?
LAERTES.
Think it no more.
He concludes his admonition with that most beautiful passage, in which
the soundest sense, the most excellent advice, is conveyed in a strain
of the most exquisite poetry.
The chariest maid is prodigal enough,
If she unmask her beauty to the moon:
Virtue itself 'scapes not calumnious strokes.
The canker galls the infants of the spring
Too oft before their buttons be disclos'd:
And in the morn and liquid dew of youth,
Contagious blastments are most imminent.
She answers with the same modesty, yet with a kind of involuntary
avowal, that his fears are not altogether without cause:--
I shall the effect of this good lesson keep
As watchman to my heart. But, good my brother,
Do not, as some ungracious pastors do,
Show me the steep and thorny way to heaven;
Whilst, like the puff'd and reckless libertine,
Himself the primrose path of dalliance treads,
And recks not his own read.[40]
Public-domain text, read in full here on John Shaqi.
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