KING JOHN has all the beauties of language and all the richness of
the imagination to relieve the painfulness of the subject. The
character of King John himself is kept pretty much in the
background; it is only marked in by comparatively slight
indications. The crimes he is tempted to commit are such as are
thrust upon him rather by circumstances and opportunity than of his
own seeking: he is here represented as more cowardly than cruel, and
as more contemptible than odious. The play embraces only a part of
his history. There are however few characters on the stage that
excite more disgust and loathing. He has no intellectual grandeur or
strength of character to shield him from the indignation which his
immediate conduct provokes: he stands naked and defenceless, in that
respect, to the worst we can think of him: and besides, we are
impelled to put the very worst construction on his meanness and
cruelty by the tender picture of the beauty and helplessness of the
object of it, as well as by the frantic and heart-rending pleadings
of maternal despair. We do not forgive him the death of Arthur
because he had too late revoked his doom and tried to prevent it,
and perhaps because he has himself repented of his black design, our
MORAL SENSE gains courage to hate him the more for it. We take him
at his word, and think his purposes must be odious indeed, when he
himself shrinks back from them. The scene in which King John
suggests to Hubert the design of murdering his nephew is a
masterpiece of dramatic skill, but it is still inferior, very
inferior to the scene between Hubert and Arthur, when the latter
learns the orders to put out his eyes. If anything ever was penned,
heart-piercing, mixing the extremes of terror and pity, of that
which shocks and that which soothes the mind, it is this scene. We
will give it entire, though perhaps it is tasking the reader's
sympathy too much.
Enter Hubert and Executioner
Hubert. Heat me these irons hot, and look you stand
Within the arras; when I strike my foot
Upon the bosom of the ground, rush forth
And bind the boy, which you shall find with me,
Fast to the chair: be heedful: hence, and watch.
Executioner. I hope your warrant will bear out the deed.
Hubert. Uncleanly scruples! fear not you; look to't.--
Young lad, come forth; I have to say with you.
Enter Arthur
Arthur. Good morrow, Hubert.
Hubert. Morrow, little Prince.
Arthur. As little prince (having so great a title
To be more prince) as may be. You are sad.
Hubert. Indeed I have been merrier.
Public-domain text, read in full here on John Shaqi.
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