The keenness of his revenge awakes all his faculties; and he beats back
all opposition to his purpose, whether grave or gay, whether of wit or
argument, with an equal degree of eamestness and self-possession. His
character is displayed as distinctly in other less prominent parts of
the play, and we may collect from a few sentences the history of his
life--his descent and origin, his thrift and domestic economy, his
affection for his daughter, whom he loves next to his wealth, his
courtship and his first present to Leah, his wife! 'I would not have
parted with it' (the ring which he first gave her) 'for a wilderness of
monkeys!' What a fine Hebraism is implied in this expression!
Portia is not a very great favourite with us, neither are we in love
with her maid, Nerissa. Portia has a certain degree of affectation
and pedantry about her, which is very unusual in Shakespeare's
women, but which perhaps was a proper qualification for the office
of a 'civil doctor', which she undertakes and executes so
successfully. The speech about mercy is very well; but there are a
thousand finer ones in Shakespeare. We do not admire the scene of
the caskets; and object entirely to the Black Prince, Morocchius. We
should like Jessica better if she had not deceived and robbed her
father, and Lorenzo, if he had not married a Jewess, though he
thinks he has a right to wrong a Jew. The dialogue between this
newly married couple by moonlight, beginning 'On such a night', &c.,
is a collection of classical elegancies. Launcelot, the Jew's man,
is an honest fellow. The dilemma in which he describes himself
placed between his 'conscience and the fiend', the one of which
advises him to run away from his master's service and the other to
stay in it, is exquisitely humorous.
Gratiano is a very admirable subordinate character. He is the jester
of the piece: yet one speech of his, in his own defence, contains a
whole volume of wisdom.
Anthonio. I hold the world but as the world, Gratiano,
A stage, where every one must play his part;
And mine a sad one.
Public-domain text, read in full here on John Shaqi.
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