Charlemont; Or, The Pride of the Village. a Tale of KentuckySimms, William Gilmore
General
Charlemont; Or, The Pride of the Village. a Tale of Kentucky
Simms, William Gilmore
Kentucky -- Fiction
“But I would scarcely ride back for a second look,” he responded, in a
subdued tone of voice, while looking with sad expressiveness into her
eyes. These were cast down upon the instant, and the color upon her
cheeks was heightened.
“Come,” said she, making an effort, “there is nothing here to interest
us.”
“Except memory,” he replied; “I shall never forget the spot.”
She hurried forward, and he joined her. She had received the impression
which he intended to convey, without declaring as much--namely, that his
return to Charlemont had been prompted by that one glimpse which he had
then had of her person. Still, that nothing should be left in doubt, he
proceeded to confirm the impression by other suggestions:--
“You promise to show me a scene of strange beauty, but your whole
village is beautiful, Miss Cooper. I remember how forcibly it struck me
as I gained the ascent of the opposite hills coming in from the east.
It was late in the day, the sun was almost setting, and his faintest
but loveliest beams fell upon the cottages in the valley, and lay with a
strange, quiet beauty among the grass-plats, and the flower-ranges, and
upon the neat, white palings.”
“It is beautiful,” she said with a sigh, “but its beauty does not
content me. It is too much beauty; it is too soft; for, though it has
its rocks and huge trees, yet it lacks wildness and sublimity. The rocks
are not sufficiently abrupt, the steeps not sufficiently great; there
are no chasms, no waterfalls--only purling brooks and quiet walks.”
“I have felt this already,” he replied; “but there is yet a deficiency
which you have not expressed, Miss Cooper.”
“What is that?” she demanded.
“It is the moral want. You have no life here; and that which would least
content me would be this very repose--the absence of provocation--the
strife--the triumph! These, I take it, are the deficiencies which
you really feel when you speak of the want of crag, and chasm, and
waterfall.”
“You, too, are ambitious, then!” she said quickly; “but how do you
reconcile this feeling with your profession?”
She looked up, and caught his eye tenderly fixed upon her.
“Ah!” said he, “Miss Cooper, there are some situations in which we find
it easy to reconcile all discrepancies.”
If the language lacked explicitness, the look did not. He proceeded:--
“If I mistake not, Miss Cooper, you will be the last one to blame me
for not having stifled my ambition, even at the calls of duty and
profession.”
“Blame you, sir? Far from it. I should think you very unfortunate
indeed, if you could succeed in stifling ambition at any calls, nor do I
exactly see how duty should require it.”
“If I pursue the profession of the divine?” he answered hesitatingly.
“Yes--perhaps--but that is not certain?” There was some timidity in the
utterance of this inquiry. He evaded it.
Public-domain text, read in full here on John Shaqi.
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