Charlemont; Or, The Pride of the Village. a Tale of KentuckySimms, William Gilmore
General
Charlemont; Or, The Pride of the Village. a Tale of Kentucky
Simms, William Gilmore
Kentucky -- Fiction
“Nothing HERE; but it was not of Charlemont I spoke. The destiny which
has endowed you with genius will not leave it to be extinguished here.
There will come a worshipper, Margaret. There will come one, equally
capable to honor the priestess and to conduct her to befitting altars.
This is not your home, though it may have been your place of trial
and novitiate. Here, without the restraint of cold, oppressive, social
forms, your genius has ripened--your enthusiasm has been kindled into
proper glow--your heart, and mind, and imagination, have kept equal pace
to an equal maturity! Perhaps this was fortunate. Had you grown up in
more polished and worldly circles, you would have been compelled to
subdue the feelings and fancies which now make your ordinary language
the language of a muse.”
“Oh! speak not so, I implore you. I am afraid you mock me.”
“No! on my soul, I do not. I think all that I say. More than that, I
feel it, Margaret. Trust to me--confide in me--make me your friend!
Believe me, I am not altogether what I seem.”
An arch smile once more possessed her eyes.
“Ah! I could guess that! But sit you here. Here is a flower--a
beautiful, small flower, with a dark blue eye. See it--how humbly it
hides amid the grass. It is the last flower if the season. I know not
its name. I am no botanist; but it is beautiful without a name, and it
is the last flower of the season. Sit down on this rock, and I will sing
you Moore's beautiful song, ''Tis the last of its kindred.'”
“Nay, sing me something of your own, Margaret.”
“No, no! Don't speak of me, and mine, in the same breath with Moore.
You will make me repent of having seen you. Sit down and be content with
Moore, or go without your song altogether.”
He obeyed her, and the romantic and enthusiastic girl, seating herself
upon a fragment of rock beside the path, sang the delicate and sweet
verses of the Irish poet, with a natural felicity of execution, which
amply compensated for the absence of those Italian arts, which so
frequently elevate the music at the expense of the sentiment. Stevens
looked and listened, and half forgot himself in the breathlessness of
his attention--his eye fastened with a gaze of absolute devotion on her
features, until, having finished her song, she detected the expression
of his face, and started, with blushing cheeks, to her feet.
“Oh! sweet!” he murmured as he offered to take her hand, but she darted
forward, and following her, he found himself a few moments after,
standing by her side, and looking down upon one of the loveliest lakes
that ever slept in the embrace of jealous hills.
CHAPTER XV.
A CATASTROPHE.
Public-domain text, read in full here on John Shaqi.
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