Charlemont; Or, The Pride of the Village. a Tale of KentuckySimms, William Gilmore
General
Charlemont; Or, The Pride of the Village. a Tale of Kentucky
Simms, William Gilmore
Kentucky -- Fiction
“No! Margaret, no! It is because they have not the genius, that such
small birds are let to sing. Let them but hear the true minstrel--let
them but know that there is a muse, and how soon would the senseless
twitter which they now tolerate be hushed in undisturbing silence.
In the absence of better birds they bear with what they have. In the
absence of the true muse they build no temple--they throng not to hear.
Nay, even now, already, they look to the west for the minstrel and the
muse--to these very woods. There is a tacit and universal feeling in the
Atlantic country, that leads them to look with expectation to the Great
West, for the genius whose song is to give us fame. 'When?' is the
difficult--the only question. Ah! might I but say to them--'now'--the
muse is already here!”
He took her hand--she did not withhold it; but her look was subdued--the
fires had left her eyes--her whole frame trembled with the recoil of
those feelings--the relaxation of those nerves--the tension of which we
have endeavored feebly to display. Her cheek was no longer flushed but
pale; her lips trembled--her voice was low and faint--only a broken and
imperfect murmur; and her glance was cast upon the ground.
“You!” she exclaimed.
“Yes, I! Have I not said I am not altogether what I seem? Ah! I may not
yet say more. But I am not without power, Margaret, in other and more
powerful regions. I too have had my triumphs; I too can boast that the
minds of other men hang for judgment upon the utterance of mine.”
She looked upward to his glance with a stranger expression of timidity
than her features had before exhibited. The form of Stevens had
insensibly risen in seeming elevation as he spoke, and the expression of
his face was that of a more human pride. He continued:--
“My voice is one of authority in circles where yours would be one of
equal attraction and command. I can not promise you an Italian devotion,
Margaret; our people, though sufficiently enthusiastic, are too sensible
to ridicule to let the heart and blood speak out with such freedom as
they use in the warmer regions of the South: but the homage will be more
intellectual, more steady, and the fame more enduring. You must let your
song be heard--you must give me the sweet privilege of making it known
to ears whose very listening is fame.”
“Ah!” she said, “what you say makes me feel how foolishly I have spoken.
What is my song? what have I done? what am I? what have I to hope?
I have done nothing--I am nothing! I have suffered, like a child, a
miserable vanity to delude me, and I have poured into the ears of a
stranger those ravings which I have hitherto uttered to the hills and
forests. You laugh at me now--you must.”
The paleness on her cheek was succeeded by the deepest flush of crimson.
She withdrew her hand from his grasp.
“Laugh at you, Margaret! You have awakened my wonder. Struck with you
when we first met--”
Public-domain text, read in full here on John Shaqi.
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