Charlemont; Or, The Pride of the Village. a Tale of KentuckySimms, William Gilmore
General
Charlemont; Or, The Pride of the Village. a Tale of Kentucky
Simms, William Gilmore
Kentucky -- Fiction
she had come to speak only in the one language, and of the one topic;
and, believing now that she had an auditor equally able to comprehend
and willing to sympathize with her cravings, she gave free scope to
the utterance of her fancies, and to the headlong impulse of that
imagination which had never felt the curb.
The young heart, not yet chilled by the world's denials, will readily
comprehend the beguiling influence of the dreaming and enthusiastic
nature of some dear spirit, in whose faith it has full confidence, and
whose tastes are kindred with its own. How sweet the luxury of moonlight
in commerce with such a congenial spirit! how heavenly the occasional
breath of the sweet southwest! how gentle and soothing fond the whispers
of night--the twirling progress of sad-shining stars--the gentle sway of
winds among the tree-tops--the plaintive moan of billows, as they gather
and disperse themselves along the shores! To speak of these delights;
to walk hand-in-hand along the gray sands by the seaside, and whisper in
murmuring tones, that seem to gather sympathies from those of ocean;
to guide the eye of the beloved associate to the sudden object; to
challenge the kindred fancy which comments upon our own; to remember
together, and repeat, the happy verse of inspired poets, speaking of
the scene, and to the awakened heart which feels it; and, more, to pour
forth one's own inspirations in the language of tenderness and song, and
awaken in the heart of our companion the rapture to which our own
has given speech--these, which are subjects of mock and scorn to the
worldling, are substantial though not enduring joys to the young and
ardent nature.
In this communion, with all her pride, strength, and confidence,
Margaret Cooper was the merest child. Without a feeling of guile, she
was dreaming of the greatness which her ambition craved, and telling her
dreams, with all the artless freedom of the child who has some golden
fancy of the future, which it seeks to have confirmed by the lips
of experience. The wily Stevens led her on, gave stimulus to her
enthusiasm, made her dreams become reasonable in her eyes, and laughed
at them in his secret heart. She sung at his suggestion, and sang her
own verses with all that natural tremor which even the most self-assured
poet feels on such an occasion.
“Beautiful!” the arch-hypocrite would exclaim, as if unconscious
of utterance; “beautiful!” and his hand would possess itself of the
trembling fingers of hers. “But beautiful as it is, Margaret, I am
sure that it is nothing to what you could do under more auspicious
circumstances.”
“Ah! if there were ears to hear, if there were hearts to feel, and eyes
to weep, I feel, I know, what might be done. No, no! this is nothing.
This is the work of a child.”
“Nay, Margaret, if the work of a child, it is that of a child of
genius.”
Public-domain text, read in full here on John Shaqi.
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