It was in such artful language as this that the arch-hypocrite flattered and beguiled her. They were wandering along the edge of the streamlet to which we have more than once conducted the footsteps of the reader. The sun was about setting. The autumn air was mild with a gentle breathing from the south. The woods were still and meek as the slumbers of an infant. The quiet of the scene harmonized with the temper of their thoughts and feelings. They sat upon a fragment of the rock. Margaret was silent, but her eyes were glistening bright--not with hope only, but with that first glimmering consciousness of a warmer feeling, which gives a purple light to hope, and makes the heart tremble, for the first time, with its own expectations. It did not escape Alfred Stevens that, for the first time, her eye sank beneath his glance; for the first time there was a slight flush upon her cheek. He was careful not to startle and alarm the consciousness which these signs indicated. The first feeling which the young heart has of its dependence upon another is one little short of terror; it is a feeling which wakens up suspicion, and puts all the senses upon the watch. To appear to perceive this emotion is to make it circumspect; to disarm it, one must wear the aspect of unconsciousness. The wily Stevens, practised in the game, and master of the nature of the unsuspecting girl, betrayed in his looks none of the intelligence which he felt. If he uttered himself in the language of admiration, it was that admiration which would be natural to a profound adorer of literature and all its professors. His words were those of the amateur:-- “I can not understand, Margaret, how you have studied--how you have learned so much--your books are few--you have had no masters. I never met in my life with so remarkable an instance of unassisted endeavor.” “My books were hero in the woods--among these old rocks. My teacher was solitude. Ah! there is no teacher like one's own heart. My instinct made me feel my deficiencies--my deficiencies taught me contemplation--and from contemplation came thoughts and cravings, and you know, when the consciousness of our lack is greatest, then, even the dumb man finds a voice. I found my voice in consequence of my wants. My language you see is that of complaint only.” “And a sweet and noble language it is, Margaret; but it is not in poetry alone that your utterance is so distinct and beautiful--you sing too with a taste as well as power which would prove that contemplation was as happy in bringing about perfection in the one as in the other art. Do sing me, Margaret, that little ditty which you sang here the other night?” His hand gently detained and pressed hers as he urged the request. “I would rather not sing to-night,” she replied, “I do not feel as if I could, and I trust altogether to feeling. I will sing for you some other time when you do not ask, and, perhaps would prefer not to hear me.”