Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
"Present, indeed! Such as it is, it lies out there. _Nobody_ left it
at the office, so Vincent tells me; but I found it there among the
packages, and was strongly inclined to consider it a mistake
altogether. Certainly 'Charles Auchester, Esq.,' was not 'known
there;' but I smelt plum-cake, and that decided me to have it opened
here."
I rushed to the chair behind the sofa, while the rest--except
Millicent and Mr. Davy, who were addressing each other in the low
voice which is the test of all human proprieties--were scolding in
various styles. The fracas was no more to me than the jingling of the
maternal keys. I found a large oblong parcel rolled in the thickest of
brown papers, and tied with the thickest of strings round and round
again so firmly that it was, or appeared to be, hopeless to open it
unless I gnawed that cord.
"Oh! Lydia, lend me your scissors."
"For shame, Charles!" pronounced Clo. "How often have I bidden you
never to waste a piece of string!"
She absolutely began upon those knots with her fingers. My own
trembled so violently that they were useless. Meanwhile, for she was
about ten minutes engaged in the neat operation,--I scanned the
address. It was, as Fred had mentioned to me, as an adult and as an
esquire, and the writing was bold, black, and backward. It seemed to
have come a long way, and smelt of travelling; also, when the paper
was at length unfolded, it smelt of tow, and something oblong was
muffled in the tow.
"A box!" observed sapient Clotilda. I tore the tow out in handfuls.
"Don't strew it upon the carpet, oh, my dearest Charles!"
Clo, I defy you! It was a box truly, but what sort of a box? It had a
lid and a handle. It was also fastened with little hooks of brass. It
was open, I don't know how. There it lay,--there lay a real violin in
the velvet lining of its varnished case!
No, I could not bear it; it was of no use to try. I did not touch it,
nor examine it. I flew away upstairs. I shut myself into the first
room I came to, which happened to be Lydia's; but I did not care. I
rushed up to the window and pressed my face against the cold glass. I
sobbed; my head beat like a heart in my brain; I wept rivers. I don't
suppose the same thing ever happened to any one else, therefore none
can sympathize. It was mystery, it was passion, it was infinitude; it
was to a soul like mine a romance so deep that it has never needed
other. My violin was mine, and I was it, and the beauty of my romance
was, in truth, an ideal charmer; for be it remembered that I knew no
more how to handle it than I should have known how to conduct at the
festival.
Public-domain text, read in full here on John Shaqi.
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