Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
In less than an hour, thanks to Santonio's quickening of the pulses of
existence at our first landing-place, we were safe in a hackney-coach
(very unlike any other conveyance), if indeed it could be called
"safe" to be so bestowed, as I was continually precipitated against
Santonio. His violin-case had never left his hand since we quitted the
vessel,--and this was just as well, for it might have suffered from
the jolting. Its master was all kindness now. "Cheer up," said he; "do
not let your idea of German life begin here. You will soon find plenty
to amuse you." He rubbed the reeking fog from one glass with his
handkerchief forthwith, and I, peeping out, saw something of houses
drawing near. They were dim and tall and dark, as if they had never
fronted daylight. It took us quite half an hour to reach the village,
notwithstanding, for our pace was laboriously tardy; and again and
again I wished I had stayed with Santonio at the little inn where we
took the coach, and to which he was himself to return to sleep, having
bespoken a bed there; for I felt that day would have done everything
for me in manning and spiriting me, and that there was too much
mystery in my transition state already to bear the surcharging mystery
of night with thought undaunted. Coming into that first street, I
believed we should stop every instant, for the faint few lamps, strung
here and there, gave me a notion of gabled windows and gray-black
arches, nothing more definite than any dream; so much the better.
Still we stopped not anywhere in that region, nor even when, having
passed the market-place with its little colonnade, we turned, or were
shaken, into a quiet square. It came upon me like a nook of panorama;
but I heard the splash of falling water before I beheld, starting from
the mist, its shape, as it poured into a basin of shadowy stone
beneath a skeleton tree, whose lowest sprays I could have touched as
we drove near the fountain, so close we came. And then I saw before me
a church, and could discern the stately steps and portico, even the
crosses on the graves, which bade me remember that they died also in
Germany. No organ echoes pealed, or choral song resounded, no chime
struck; but my heart beat all these tunes, and for the first time I
associated the feeling of religion with any earth-built shrine.
It was in a street beyond the square, and overlooked by the tower of
the church itself, that at length we stopped indeed, and that I found
myself bewildered at once by darkness and expectation, standing upon
the pavement before a foreign doorway, enough for any picture of the
brain.
"Now," said my escort, "I will take you upstairs first,--for you would
never find your way,--and then return and see after all these things.
The man won't run away with them, I believe,--he is too ugly to be
anything but honest. I hope you do not expect a footman to open the
door?"
"I dislike footmen, but there is no knocker. Please show me the bell,
Mr. Santonio."
Public-domain text, read in full here on John Shaqi.
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