Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
I heard him bolt me in as soon as I shut the door. I cannot say this
proceeding pleased me, but on the contrary cost me many a cold sweat
until I became accustomed to it. I lay a little while awake, now
spying out such variations from English style as had escaped me on my
first acquaintance with my quarters; then reverted to Aronach's dark
hint about the person who, like me, was excited by the darkness; and
at last recollected my contemporaries, and speculated upon their
present circumstantials. Most softly did that poor little soul present
himself to mine as he played with my buttons, and I secretly
determined to become his protector and ally. As for the imp in the
blouse, I abjured him at first sight; perhaps because he was, though
repugnant to my taste, handsome and elegant, and I was neither.
FOOTNOTE:
[13] It is generally accepted that Aronach is a portrait of Zelter,
the friend of Goethe and teacher of Mendelssohn, who was for many
years director of the Sing Akademie at Berlin. He was the first who
inspired Mendelssohn with his love for John Sebastian Bach's music.
CHAPTER XXVI.
I awoke with sonorous cries, and sounds of bells, and songs of
sellers, and the dim ringing of wheels on a frosty soil. Hard and
white the day-dews stood upon the windows; the sky was clear as light
itself, and my soul sprang as into the arms of freedom. It occurred to
me that I was perhaps late, and I dressed fast. About half-way to the
end, I heard the violins begin, both of them; but now they
outrageously contradicted each other in different directions, and I
could keep by my ear to neither.
I made the utmost haste, but, as in most cases, it was least speed. I
pulled off a button, and then a shoestring came loose; I had to begin
very nearly all over again. And when at length equipped, I recalled
the incarceration of the previous night, and wondered how long I
should stay there; but a sudden impulse sent me to the door, and
immediately it yielded to my hand. "He has been here, then," I
thought, "and has not awakened me, because I was tired last night. How
good, to be sure! Not at all what I expected." I sallied forth to the
landing; it was like a room itself, but still dark,--dark for
day-time; and I could only make out its extent by the glimmer through
the crack beneath every door. I listened at each first, not knowing at
the instant which was which; but the violins asserted themselves, and
I chose one to unlock on my own responsibility. I had made a mistake
here, and come into the untenanted organ-room where we had supped.
There the wintry light reigned full, and freshened up the old tints
till they gleamed no more dusky, but rich.
The pictures and wreaths of other years gave welcome to me, that magic
child especially; nor less the harpsichord unopened, quiet, while
those sounds of younger violins broke through and through my fancy,
and made my heart swell up till I could have fainted with emotion.
Public-domain text, read in full here on John Shaqi.
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