Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
"Why so, indeed! but because the mystery of their very name is enough
to break the head, and perhaps the heart. But now of this little one:
he must, indeed, be covered as a bird in the nest, and shall be. And
if I turn him not forth a strong-winged wonder, thou wilt stand up and
have to answer for him,--is it not so?"
"Sir, I am certain he will play wonderfully upon what he calls those
'beautiful cold keys.'"
"Ah!" he answered dreamily, "and so, indeed, they are, whose very
tones are but as different shadows of the same one-colored light, the
ice-blue darkness, and the snowy azure blaze. He has right, if he
thinks them cold, to find them _alone_ beautiful." He spoke as if in
sleep.
"Sir, I do not know what you mean, for I never heard even
Milans-André."
"You are to hear him, then; it is positively needful."
Again the raillery pointed every word, as if arrows "dipped in balm."
"I mean that I scarcely know what those keys are like, for I never
heard them really played, except by one young lady. I did not find the
'Tone-Wreath' cold, but I thought, when she played with Santonio, that
her playing was cold,--cold compared with his; for he was playing, as
you know, sir, the violin."
"You are right; yes. The violin is the violet!"
These words, vividly pronounced, and so mystical to the uninitiated,
were as burning wisdom to my soul. I could have claimed them as my
own, so exactly did they respond to my own unexpressed necessities.
But indeed, and in truth, the most singular trait of the presence
beside me was that nothing falling from his lips surprised me. I was
prepared for all, though everything was new. He did not talk
incessantly,--on the contrary, his remarks seemed sudden, as a breeze
up-borne and dying into the noonday. There was that in them which
cannot be conveyed, although conserved,--the tones, the manner, so
changeful, yet all cast in grace unutterable; passing from vagrant,
never wanton mirth, into pungent, but never supercilious gravity. Such
recollection only proves that the beautiful essence flows not well
into the form of words,--for I remember every word he spoke,--but
rather dies in being uttered forth, itself as music.
It was dusty in the highway, and we met no one for at least a mile
except the peasants, who passed into the landscape as part of its
picture. The intense green of May, and its quickening blossoms,
strewed every nook and plantation; but the sweetness of the country,
so exuberant just there, only seemed to frame, with fitting ornament,
the one idea I contemplated,--that he was close at hand. There had
been much sun, and one was naturally inclined to shade in the
thrilling May heats, which permeate the veins almost like love's
fever, and are as exciting to the pulses.
Public-domain text, read in full here on John Shaqi.
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