Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
It is but fair to allow myself an allusion to my violin, as it was
becoming a very essential feature in my history. With eight hours'
practice a day I had made some solid progress; but it did not convict
me of itself yet, as I was not allowed to play, only to acquaint
myself with the anatomy of special compositions, as exercises in
theory. Iskar played so easily, and gave such an air of playing to
practice, that it never occurred to me I was getting on, though it was
so, as I found in time. At this era I hated the violin, just as
pianoforte students hate the pianoforte during the period of
apprenticeship to mechanism. I hated the sound that saluted me
morning, noon, and night; I shrank from it ever unaccustomed, for the
penetralia of my brain could never be rendered less susceptible by
piercing and searching its recesses. I believe my musical perception
was as sensitive as ever, all through this epidemic dislike, but I
felt myself personally very musically indisposed. I could completely
dissociate my ideal impression of that I loved from my absolute
experience of what I served. I was patient, because waiting; content,
because faithful; and I pleased myself albeit with reflecting that my
violin--my own property, my very own--had a very different soul from
that thing I handled and tortured every day, from which the soul had
long since fled. For all the creators of musical forms have not power
to place in them the soul that lives for ages, and a little wear and
tear separates the soul from the body. As for my Amati, I knew its
race so pure that I feared for it no premature decay. In its dark box
I hoped it was at least not unhappy, but I dearly longed for a sight
of it, and had I dared, I would have crept into the closet, but that
whenever it was unlocked I was locked up. The days flew, though they
seemed to me so long, as ever in summer; and I felt how ravishing
must the summer be without the town. I wearied after it; and although
the features of German scenery are quite without a certain bloom I
have only found in England, they have some mystic beauty of their own
unspeakably more touching; and as I lived then, all life was a
fairy-tale book, with half the leaves uncut. I was ever dreaming, but
healthfully,--the dreams forgotten as soon as dreamed; so it chanced
that I can tell you nothing of all I learned or felt, except what was
tangibly and wakingly presented to myself. I remember, however, more
than distinctly all that happened the last evening I passed in that
secluded house, to my sojourn in which I owe all the benisons bestowed
upon my after artist life. We had supped at our usual hour, but when I
arose and advanced to salute Aronach as usual, and sighed to see how
bright the sun was still upon everything without and within, he
whispered in my ear,--an attention he had never before paid me,--"Stay
up by me until the other two are off; for I wish to speak to thee and
to give thee some advice."
Public-domain text, read in full here on John Shaqi.
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