Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
Then came his relation of romantic wanderings in Southern France and
Germany, like a troubadour, or minnesinger, with guitar and song; of
his accidental friendships and fancy fraternities, till he became
choir-alto at a Lutheran church in the heart of the Eichen-Land. Then
came the story of his attachment to the young, sage organist of that
very church, who, in a fairy-like adventure, had married a count's
youngest daughter, and never dared to disclose his alliance; of her
secret existence with him in the topmost room of an old house, where
she never dared to look out of the window to the street for fear she
should be discovered and carried back,--the etiquette requisite to
cover such an abduction being quite alien from my comprehension, by
the way, but so Davy assured us she found it necessary to abide; of
their one beautiful infant born in the old house, and the curious
saintly carving about its wooden cradle; of the young mother, too
hastily weaned from luxurious calm to the struggling dream of poverty,
or at least uncertain thrift; of her fading, falling into a stealthy
sickness, and of the night she lay (a Sunday night) and heard the
organ strains swell up and melt into the moonlight from her husband's
hand; of Lenhart Davy's presence with her alone that night, unknowing,
until the music-peal was over, that her soul had passed to heaven, as
it were, in that cloud of music.
But I must just observe that Davy made as light as possible of his own
pure and characteristic decision, developed even in boyhood. He passed
over, almost without comment, the more than elder brotherly care he
must have bestowed on the beautiful infant, and dwelt, as if to divert
us from that point, upon the woful cares that had pressed upon his
poor friend,--upon his own trouble when the young organist himself,
displaced by weakness from his position, made his own end, even as
Lenhart's father, an end of sorrow and of love.
Davy, indeed, merely mentioned that he had brought little Clara to
England himself, and left her in London with his own mother's sister,
whose house he always reckoned his asylum, if not his home. And then
he told us of his promise to Clara's father that she should be brought
up musically, and that no one should educate her until she should be
capacitated to choose her own masters, except Davy, to whom her father
had imparted a favorite system of his own.
I remember his saying, in conclusion, to my mother: "You must think it
strange, dear madam, that I brought Miss Benette away from London, and
alone. I could not remain in London myself, and I have known for years
that her voice, in itself, would become to her more than the expected
heritage. My aunt taught her only to work. This was my stipulation;
and she now not only supports herself by working,--for she is very
independent,--but is in possession of a separate fund besides, which
is to carry her through a course of complete instruction
elsewhere,--perhaps in Italy or Germany."
Public-domain text, read in full here on John Shaqi.
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