"Oh, pray eat the honey, and give me the jar to fill again! I won't stay, don't be afraid, but good-night. Won't you let me shake hands with you, Miss Lemark?" for she still stood apart, like a reed in a sultry day. She looked at me directly. "Good-night, dear!" I was so inexpressibly touched by the tone, or the manner, or the mysterious something--that haunted her dancing--in _her_, that I added, "Shall I bring you some flowers next class-night?" "If you please." "Oh, do go, Master Auchester! I prayed you ten minutes ago." "I am gone." And so I was; and this time I was not too late for my own tea at home. There must be something startlingly perfect in that which returns upon the soul with a more absolute impression after its abstraction of our faculties has passed away. So completely had the fascination of those steps sufficed that I forgot the voice of Miss Benette, resounding all the time, and only associated in my recollection the silver monotone of the clinking bells with the lulling undulation, the quivering feet. All night long, when I dreamed, it was so; and when I awoke in the morning (as usual), I thought the evening before, a dream. I dared not mention Laura to any one except Millicent, but I could not exist without some species of sympathy; and when I had finished all my tasks, I entreated her to go out with me alone. She had some purchases to make, and readily agreed. It was a great treat to me to walk with her at any time. I cannot recollect how I introduced the subject, but I managed to ask somehow, after some preamble, whether my mother thought it wrong to dance in public. "Of course not," she replied, directly. "Some people are obliged to do so in order to live. They excel in that art as others excel in other arts, and it is a rare gift to possess the faculty to excel in that, as in all other arts." "So, Millicent, she would not mind my knowing a dance-artist any more than any other artist?" "Certainly it is the greatest privilege to know true artists; but there are few in the whole world. How few, then, there must be in our little corner of it!" "You call Mr. Davy an artist, I suppose?" "I think he pursues art as a student, who, having learned its first principles for himself, is anxious to place others in possession of them before he himself soars into its higher mysteries. So far I call him philanthropist and aspirant, but scarcely an artist yet." "Was our conductor an artist?" "Oh! I should think so, no doubt. Why did you ask me about artists, Charles?"