Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
She arose and walked out of the room, closing the door. I could catch
her tones through the wall, and she returned in less than a minute.
There was something startling, almost to appall, in the countenance
of the companion she ushered, coming close behind her. I can say that
that countenance was all eye,--a vivid and burning intelligence
concentred in orbs whose darkness was really light, flashing from
thence over every feature. Thoné was neither a gaunt nor a great
woman, though tall; her hands were beautifully small and slender, and
though she was as brunette as her eye was dark, she was clear as that
darkness was itself light. The white cap she wore contrasted strangely
with that rich hue, like sun-gilt bronze. She was old, but modelled
like a statue, and her lips were keen, severe, and something scornful.
It was amazing to me to see how easily Miss Benette looked and worked
before this prodigy; I was speechless. Thoné took my hand in hers, and
feeling I trembled, she said some quick words to Clara in a species of
Low German, whose accent I could not understand, and Clara replied in
the same. I would have withdrawn my hand, for I was beginning to fear
something dreadful in the way of an oracle, but Thoné led me with
irrepressible authority to the window. Once there, she fastened upon
me an almost feeling glance, and having scanned me a while, drew out
all my fingers one by one with a pressure that cracked every sinew of
my hand and arm. At last she looked into my palm, but made no
muttering, and did not appear trying to make out anything but the
streaks and texture of the skin. It could not have been ten minutes
that had passed when she let fall my hand, and addressing Clara in a
curt, still manner, without smile or comment, uttered in a voice whose
echoes haunt me still,--for the words were rare as music,--"Tonkunst
und Arzenei."[10]
I knew enough of German to interpret these, at all events, and as I
stood they passed into my being by conviction, they being indeed
truth.
Clara approached me. "Are you satisfied? Music _is_ medicine, though,
I think; do not you?"
She smiled with sweet mischief.
"Oh, Miss Benette, thank you a thousand times! for whether it is to be
true or not, I think it is a very good fortune to be told. Has she
told you yours?"
"Yes, often; at least as much as she told you about yourself, she has
revealed to me."
"Can she tell all people their fortunes?"
"I will ask her."
She turned to our bright Fate and spoke. On receiving a short, low
reply, as Thoné left the room, she again addressed me. "She says, 'I
cannot prophesy for the pure English, if there be any, because the
letters of their characters are not distinct. All I know in all, is
how much there is of ours in each.'"
"I don't know what she means."
"No more do I."
"Oh, Miss Benette, you do!" For her arch smile fluttered over her
lips.
Public-domain text, read in full here on John Shaqi.
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