Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
Davy, still pale, but radiant with sympathetic pleasure, continued to
glance down upon me, and Clara's eyes were lost in drooping to the
ground. I scarcely know how it was, but I was very inadvertent of the
pianoforte part, magnificently sustained as it was and inseparable
from the other, until Clara whispered to Davy, "Does she not play
remarkably well, sir?"
"Yes," he returned; "I am surprised. She surely must be professional."
But none of us liked to inquire, at least then.
I noticed afterwards, from time to time, how well the piano met the
violin in divided passages, and how exactly they went together; but
still those strings, that bow, were all in all for me, and Santonio
was the scarcely perceptible presence of an intimate sympathy, veiled
from me as it were by a hovering mist of sound. So it was especially
in the slow movement, with its long sighs, like the voice of silence,
and its short, broken sobs of joy. The thrill of my brain, the deep
tumult of my bosom, alone prevented me from tears, just as the rain
falls not when the wind is swelling highest, but waits for the
subsiding hush. The analogy will not serve me out, nevertheless, for
at the close of the last movement, so breathless and so impetuous as
it was, there was no hush, only a great din, in the midst of which I
wept not; it was neither time nor place. Miss Benette, too, whispered
just at the conclusion, when Santonio was haughtily, and Miss Lawrence
carelessly, retiring, "Now we shall go; but please do not make me
laugh, Master Auchester."
"How can you say so, when it was your fault that we laughed the other
night?"
And truly it did seem impossible to unsettle that sweet gravity of
hers, though it often unsettled mine.
CHAPTER XX.
We went, and really I found it not so dreadful; and so was I drawn to
listen for her voice so dear to me even then, that I forgot all other
circumstances except that she was standing by me there, singing. I
sang very well,--to my shame if it be spoken, I always know when I do;
and the light color so seldom seen on Davy's cheek attested his
satisfaction. Davy himself sang alone next, and we were cleared off
every one, while he sang so beautiful a bass solo, in its delicacy and
simplicity, as I had ever heard. Clara and I mutually agreed to be
very nervous for our master. I am sure he was so, but nobody could
have told it of him who did not know him inside and out,--not even
Santonio, who, standing on the rug again, and turning down his
wristbands, which had disappeared altogether while he played, said to
Mirandos, "He seems very comfortable," meaning Davy. Then came a
quartet, and we figured again.
Public-domain text, read in full here on John Shaqi.
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