Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
not what they said, though Davy did, for he had followed Santonio. To
my surprise, I saw that Miss Benette had taken herself into a corner,
and when I gazed upon her she was wiping her eyes. I was reminded
then that my own were running over.
Scarcely was I fit to look up again, having retreated to another
corner, when I beheld Miss Lawrence, in her blue brocade, come in and
look about her. She absolutely advanced to me.
"Did you like that little dream? That is my notion of the gentleman at
the festival, do you know."
"Did you compose it?" I asked in a maze.
"No, I believe he did."
"Then you know who he is? Tell me, oh! tell me the name."
She smiled then at me with kindness,--a beneficent sweetness. "Come,
sit down, and I will sit by you and tell you the story."
"May not Miss Benette come too?"
"Oh, certainly, if she is not more comfortable out there. I wish you
would bring her, though, for I want to see her eyes." I slipped over
the carpet. "Come, Miss Benette, and hear what Miss Lawrence is
saying." She looked a little more serious with surprise, but followed
me across the room and took the next chair beyond mine. Santonio came
up too, but Miss Lawrence said, "Go,--you have heard it before;" and
he, having to play again next, retired with careful dignity.
"You must know that once on a time,--which means about three months
ago,"--began Miss Lawrence, as if she were reading the introductory
chapter of a new novel, "I wanted some country air and some hard
practice. I cannot get either in London, where I live, and I
determined to combine the two. So I took a cottage in a lone part of
Scotland,--mountainous Scotland; but no one went with me except my
maid, and we took care together of a grand pianoforte which I hired
in Edinburgh, and carried on with me, van and all.
"It was glorious weather just then, and when I arrived at my cottage I
found it very difficult to practise, though very charming to play; and
I played a great deal,--often all the day until the evening, when I
invariably ascended my nearest hill, and inhaled the purest air in the
whole world. My maid went always with me; and at such seasons I left
my pianoforte sometimes shut, and sometimes open, as it happened, in
my parlor, which had a splendid prospect, and very wide windows
opening to the garden in front. I allowed these windows to remain open
always when I went out, and I have often found Beethoven's sonatas
strewed over the lawn when the wind blew freshly, as very frequently
it did. You may believe I often prolonged my strolls until the sun had
set and the moon arisen. So one time it happened, I had been at work
the whole day upon a crabbed copy of studies by Bach and Handel that
my music-seller had smuggled for me from an old bureau in a Parisian
warehouse,--for you must know such studies are rarely to be found."
"Why not?" asked I, rather abruptly, just as if it had been Millicent
who was speaking.
Public-domain text, read in full here on John Shaqi.
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