Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
He then looked full at Maria; but she responded not even to that
electric force that is itself the touch of light,--her eyes still
downcast, her lips unmoved. He turned to me, and softly, seriously,
yet half surprised, as it were, shook his head, placing in her hand
the first of the unknown caskets he had brought, and the other in my
own. She took it without looking up, or even murmuring her thanks;
still, immediately as he returned to the table, I forced it from her,
feeling it might and ought to occasion a revulsion of sensation,
however slight.
It succeeded so far as that she gazed, still bending downwards, upon
what I held in my own hand now, and exhibited to her. It was a
full-blown rose of beaten silver, white as snow, without a leaf, but
exquisitely set upon a silver stem, and having upon one of its broad
petals a large dewdrop of the living diamond.
I opened my own strange treasure then, having resigned to her her own.
This was a breastpin of purest gold, with the head--a great violet cut
from a single amethyst--as perfectly executed as hers. I thrust it
into my pocket, for I could not at that instant even rejoice in its
possession. And now soon, very soon, the flower-lighted space was
cleared, and we, the chosen few, alone remained.
My heart felt as if it could only break, so violent was the pulse that
shook it. I knew that I must make an effort transcending all, or I
should lose my power to handle the bow; and at least I achieved
composure of behavior. Anastase, I can remember, came to me; he
touched my hand, and as if he longed, with all loosened passion, for
something like sympathy, looked into my very eyes. I could scarcely
endure that gaze,--it was inquisitive to scrutiny, yet dim with
unutterable forecast.
The flowers in the concert-hall were already withering when, after a
short separation for refreshment, we returned there, and were shut in
safely by the closed doors from the distant festal throng.
It was a strange sight, those deserted seats in front, where now none
rested saving only the Chevalier, who, after hovering amidst the
orchestra until all the ranks were filled, had descended, as was
arranged, into the void space, that he might be prepared to criticise
the performance. He did not seem much in the mood for criticism; his
countenance was lightening with excitement, his eyes burned like stars
brought near: that hectic fire, that tremulous blaze were both for
her.
Public-domain text, read in full here on John Shaqi.
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