Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
Seraphael had desired me to stay with him, therefore the next morning
I intended to give up my London lodgings on the road to Miss
Lawrence's square, or rather out of the road. When I came downstairs
into the sun-lit breakfast-room, I found Starwood alone and writing to
his father, but no Chevalier. Nor was he in his own room, for the sun
was streaming through the vine-shade on the tossed bed-clothes, and
the door and window were both open as I descended. Starwood said that
he had gone to walk in the garden, and that we were not to wait for
him. "What! without his breakfast?" said I. But Starwood smiled such a
meaning smile that I was astonished, and could only sit down.
We ate and drank, but neither of us spoke. I was anxious to be off,
and Star to finish his letter; though as we both arose and were still
alone, he yet looked naughty. I would not pretend to understand him,
for if he has a fault, that darling friend of mine, it is that he sees
through people rather too soon, construing their intentions before
they inform experience.
I could not make up my mind to ride, but set off on foot along the
sun-glittering road, through emerald shades, past gold-flecked
meadows, till through the mediant chaos of brick-fields and dust-heaps
I entered the dense halo surrounding London,--"smoke the tiara of
commerce," as a pearl of poets has called it. The square looked
positively lifeless when I came there. I almost shrank from my
expedition, not because of any fear I had on my own account, but
because all the inhabitants might have been asleep behind the glaze of
their many windows.
I was admitted noiselessly and as if expected, shown into the
drawing-room, so large, so light and splendid in the early sun. All
was noiseless, too, within; an air of affluent calm pervaded as an
atmosphere itself the rich-grouped furniture, the piano closed, the
stools withdrawn. I was not kept two minutes; Miss Lawrence entered,
in the act of holding out her hand. I was instantly at home with her,
though she was one of the grandest persons I ever saw. She accepted my
arm, and, not speaking, took me to a landing higher, and to a room
which appeared to form one of a suite; for a curtain extended across
one whole side,--a curtain as before an oratory in a dwelling-house.
Breakfast was outspread here; on the walls, a pale sea-green, shone
delectable pictures in dead-gold frames,--pictures even to an
inexperienced eye pure relics of art. The windows had no curtains,
only a broad gold cornice; the chairs were damask, white and green;
the carpet oak-leaves, on a lighter ground. It was evidently a retreat
of the lesser art,--it could not be called a boudoir; neither ornament
nor mirror, vase nor book-stand, broke the prevalent array. I said I
had breakfasted, but she made me sit by her and told me,--
Public-domain text, read in full here on John Shaqi.
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